Has anyone heard the new Rega RP10?


How does it sound compared to the RP8? How does it compare to other TT in it's price range?
bobheinatz
Buconero 117,

There you go again comparing a 300.00 turntable to a 6000.00 TT. Are you a paid spokesman for the company?
I always thought Rega's philosophy for placing their turntables was on a light, rigid platform. That is also my experience having owned and sold Rega's through the years.

By placing on a solid, heavy piece of granite, you may be sucking the life out of the sound. Try a lighter platform like an IKEA Lack table top or similar, just a suggestion.
Since Rega's are almost suspensionless (their rubber feet are pretty ineffectual), what they sit on greatly effects their sound. A good isolation shelf (a Symposium Acoustics Segue Iso, Townshend Audio Seismic Footers, or even a DIY inner tube under plywood, all assisted with RollerBlocks) will cure that.
OK, solved . Thankfully I have auditioned my own system in a nice, big room, and also trialed my RP10 in a friends system. I need to get my system out of my study!! The two systems used with my RP10 : triamped Accuphases, Accuphase pre amp, latest Perreaux phono stage , BMW801's, (the owners transrotor, Benz Ruby 3, Kuzma 12" to base-line)

Now , MY system :Naim Nait 5i-2 , Totem Dreamcatchers, RP10, Dynavector DV20X2. Perreaux phono stage 100 Ohm input 'Z'.

Putting the RP10 in my friends system: Every album is like listening to the musicians in the room. Pin point placement of instruments, as though everything was laid down in a single session. Amazing. Keep the transrotor and the Benz, thanks, I'm astonished at the RP10 and the Dynavector. When it wears out, I'll look a bit further up the market, but I LIKE Dynavector. A lot. Totem dream catchers are where I want to be. Pinpoint accuracy of tri amped 801's is missing, but boy, do I like what I have otherwise.