"By definition neutral cable would be an absence of coloration, distortion, or imbalance of the complete tonal range. Anything that affects any tonal element differently than it does the rest is going to throw off the tonal balance."
Great. But like I asked you before: "If neutral cables are so important, define them. How do I know cable A is more neutral than cable B?"
Give us an example of a cable that you know is neutral. And not just because you say so. Prove it. All of the differences that you've listed in this thread, and your other one, can easily be explained by the interactions of the components themselves, and not the cables. Cables make a difference, but active components make bigger differences. (Yes, I understand that there may be the occasional exception, as there always is.). With all your talk, you make it sound like the components don't have anything to do with how the system sounds.
Great. But like I asked you before: "If neutral cables are so important, define them. How do I know cable A is more neutral than cable B?"
Give us an example of a cable that you know is neutral. And not just because you say so. Prove it. All of the differences that you've listed in this thread, and your other one, can easily be explained by the interactions of the components themselves, and not the cables. Cables make a difference, but active components make bigger differences. (Yes, I understand that there may be the occasional exception, as there always is.). With all your talk, you make it sound like the components don't have anything to do with how the system sounds.