Hi Badri,
If you go for floor-standing speakers, you might consider getting Auralex isolation pads to put under them. The Auralex Gramma and ProPad and SubDude all do an excellent job of eliminating structure-borne vibrations, and will therefore increase the sound pressure level you can enjoy before the neighbors complain. They might also help with stand-mount speakers, considering that vibration can be transmitted from speaker to stand to floor.
The Auralex isolation products are widely used in recording studios, in part because sound travels faster in a solid than through the air. So the vibration that the speaker box transmits to the console shelf, which vibrates the console just a tiny bit, actually outruns the sound waves that come off the cone and travel through the air. The ear is especially sensitive to first-arrival sounds, so this can degrade the clarity that the recording engineer needs to do his job well. The Auralex products are the solution.
I have several apartment-dwelling customers who have been very happy with Auralex underneath their speakers. No, I don't sell Auralex.
In your original post you asked: "However, will that sort of speaker [high efficiency, tube-amp-friendly] be able to navigate the high speed bass attack of electronic music when driven by an amplifier such as mine?"
Oh yes, if designed to do so.
I build lower-90's efficiency tube-amp-friendly speakers, and my son composes electronica. No problems whatsoever with a 30-watt tube amp (though they can handle ten times that), and he has even gigged with this combination.
Duke
If you go for floor-standing speakers, you might consider getting Auralex isolation pads to put under them. The Auralex Gramma and ProPad and SubDude all do an excellent job of eliminating structure-borne vibrations, and will therefore increase the sound pressure level you can enjoy before the neighbors complain. They might also help with stand-mount speakers, considering that vibration can be transmitted from speaker to stand to floor.
The Auralex isolation products are widely used in recording studios, in part because sound travels faster in a solid than through the air. So the vibration that the speaker box transmits to the console shelf, which vibrates the console just a tiny bit, actually outruns the sound waves that come off the cone and travel through the air. The ear is especially sensitive to first-arrival sounds, so this can degrade the clarity that the recording engineer needs to do his job well. The Auralex products are the solution.
I have several apartment-dwelling customers who have been very happy with Auralex underneath their speakers. No, I don't sell Auralex.
In your original post you asked: "However, will that sort of speaker [high efficiency, tube-amp-friendly] be able to navigate the high speed bass attack of electronic music when driven by an amplifier such as mine?"
Oh yes, if designed to do so.
I build lower-90's efficiency tube-amp-friendly speakers, and my son composes electronica. No problems whatsoever with a 30-watt tube amp (though they can handle ten times that), and he has even gigged with this combination.
Duke