From Nelson Pass:
Nelson Pass
Nelson Pass
Review: Threshold NS 10 Preamplifier
Category: Preamps
The Threshold NS 10 was Nelson Pass first preamplifier bearing the Threshold name. And was one of those early over the top products from the mind of Nelson Pass.
While the cosmetics of this unit were more like a laboratory audio preamp as opposed to the next generation preamp from Threshold being the SL 10. The SL 10 cosmetics were very good with its lower profile,sculptured control knobs and separate power supply and remains to this day a stunningly beautiful preamp.
It is clear from the outset that the NS 10 was built as a pure no nonsense,no holds barred preamp,that could pass signals with zero degradation to the original signal. The build quality of this preamp immediately set an industry standard as no other before it and that few today can match. While its cosmetics are somewhat austere, the true beauty of the NS 10 is in its execution of its design. Built during the time that analog was in its prime exceptional detail was lavished upon the phono section of the NS 10 and two inputs for turntables is provided. The phono inputs are for MM, however an optional accessory for MC was available.
The NS 10 was the match for the first amplifiers from Threshold the CAS 1,CAS 2,400A,4000, Stasis 1,Stasis 2 and Stasis 3, were benchmarks not only for Threshold but the industry as well. Truly breakthrough products, that firmly established high end audio as we now know it.
Listed below are the design parameters and specifications for the Threshold NS 10.
The Threshold NS 10 preamplifier embodies design concepts and empirical performance that set new boundries for the classification" state of the art". The NS 10 utilizes a signal path so simple,so distortion free and so extraordinarily fast that it is virtually incapable of degrading any information passed through it which is in the range of human perception.
The model designation NS 10 is derived from the unprecendented propgation capability of the active circuitry expressed in nanoseconds.With its active circuit bandwidth of 50 mHz and through-the-system bandpass capability in excess of 1 mHz the Threshold NS 10 simply removes the realm of possibilty any chance for transient and phase anomalies to affect the signal. In fact the active circuitry of the NS 10 will introduce less alteration to high frequency waveforms than passing the signal down a 3 foot length of top quality audio cable.This lunatic fringe performance assures that the high frequency roll off of the system as a whole consists only of those passive losses caused by cable and input capacitances and not but undesireable limitations in the action of the amplifying circuits themselves.
A new level of resolution for the NS 10 has been achieved through biasing the active input devices to current levels an order of magnitude beyond those normally applied to solid state preamplifiers. These very large bias currents radically reduce the distortions in the gain transistors, yielding a " super Class A " operating mode where the idling currents are many times larger than the current called for in active operation. In addition to high linearity,the large bias increases the magnetic phono input transistor overloand point to approximately 2 volts measures at 100 kHz so that the only possible overload occurs when the output swing reaches the supply voltage of 24 volts.
The Threshold NS 10 is a component of extraordinary performance that will radically surpass the capability of any source equipment or amplifier and loudspeaker with which it may be associated.
Specifications:
Description: Two channel,low signal level processing component having selectable input facilities for two velocity characteristics phono cartridges, four constant amplitude preamplified sources and record/monitor facilities for two tape recorders. Two pair of preamplifier outputs are provided as well as front panel controlled power for the Threshold preamplifier accessory modules.
Frequency Response: 1Hz through 50mHz
Rise Time: 25 nanoseconds
Propgation Time: Input to output propgation delay,approximately 10 nanoseconds.
Through the System Specifications:
Frequency Response: +0,-3dB 1Hz through 1 mHz
Distortion: Total harmonic and intermodulation distortion less than .005 percent at 1 volt output for both phono and high level stages.Below test equipment residual for distortion components higher than 3rd harmonic.
Maximum output before clipping: 10 volts peak
Magnetic phono input stage overload point: 1 volt peak at 20 kHz, 2 volts peak at 100 kHz
Slew capability: Maximum voltage slewing rate 100 volts per microsecond.
Impedance: Magnetic phono inputs 47 kohms, high level inputs 225 ohms, preamplifier outputs 1 kohm
Gain factor: Magnetic phono stage + 40 dB at 1 kHz, high level stage variable to + 20dB
Hum & Noise: -70dB unweighted through magnetic phono stages,reference to 1 volt output 20Hx through 20 kHz
No doubt these are indeed lofty aspirations and the resulting specifications where totally unheard of for the time.
Although time and technolgy may have surpassed the NS 10, it remains to this day as one of the finest preamplfier designs built to date.
Virtually a service free preamplifier with only the power supply caps that need attention some 25 years down the road. Equipped with gold plated RCAs, which was also unheard of for the time.
The one I recently acquired was in very pristine condition and functioned as intended. It has been sent to Jon Soderberg of Vintage Amp Repair, for a complete check out and to have new caps installed, which will give another 20 plus years of service.
These are becoming somewhat hard to find now as the NS 10 was replaced early on by the SL 10. If memory serves me correct the NS 10 had only about a 18 month production run.Used prices for these in operational condition range from $300 to $450.00 and those with box and manual command higher prices.
Without question Threshold under the leadership of Nelson Pass knew that in the final analysis, that the true endeavour was the music and the accurate reproduction thereof. This total dedication to music remains the essence of all Nelson Pass designs, from Threshold to Pass Labs.
Few products one buys have enduring value. Look at how many cars or homes we have owned in the last 25 years, all in search of something better or so we think at the time.
But here with Threshold was and is products that stood the test of time and continue to deliver the promise, many years since they were new. The reason for this is quite simple. Extraordinary design, coupled with great craftsmanship and a build quality that was and is second to none, even today.
After 47 years in this hobby and owning more gear than I can remember and a lot of it Threshold/Forte/Pass Labs here I am back in the beginning of high end with the NS 10 and 400A. Once again I have that super silly grin on my face, that has not been there for sometime and once again I am discovering the true joy of high end and its promise.
The Threshold NS 10 is a visionary preamplifier from one of audios most gifted designers and after all these years continues to deliver the promise as intended.
So now my system is basically back to the beginning, or back to the future in some ways. The Threshold NS 10 Preamp is driving a Threshold 400A amp with Alon Model 1 speakers. With all this Threshold recently serviced and
sounding as good as ever, it appears that I have returned home and thats a very good feeling for once. Now at 62 I
can finally get off the train, the trip is complete.
Associated gear
Click to view my Virtual System
Similar products
Threshold,Classe,Marsh,Forte,RGR,NAD, and far more others than I can possibly list.
The Threshold NS 10 was Nelson Pass first preamplifier bearing the Threshold name. And was one of those early over the top products from the mind of Nelson Pass.
While the cosmetics of this unit were more like a laboratory audio preamp as opposed to the next generation preamp from Threshold being the SL 10. The SL 10 cosmetics were very good with its lower profile,sculptured control knobs and separate power supply and remains to this day a stunningly beautiful preamp.
It is clear from the outset that the NS 10 was built as a pure no nonsense,no holds barred preamp,that could pass signals with zero degradation to the original signal. The build quality of this preamp immediately set an industry standard as no other before it and that few today can match. While its cosmetics are somewhat austere, the true beauty of the NS 10 is in its execution of its design. Built during the time that analog was in its prime exceptional detail was lavished upon the phono section of the NS 10 and two inputs for turntables is provided. The phono inputs are for MM, however an optional accessory for MC was available.
The NS 10 was the match for the first amplifiers from Threshold the CAS 1,CAS 2,400A,4000, Stasis 1,Stasis 2 and Stasis 3, were benchmarks not only for Threshold but the industry as well. Truly breakthrough products, that firmly established high end audio as we now know it.
Listed below are the design parameters and specifications for the Threshold NS 10.
The Threshold NS 10 preamplifier embodies design concepts and empirical performance that set new boundries for the classification" state of the art". The NS 10 utilizes a signal path so simple,so distortion free and so extraordinarily fast that it is virtually incapable of degrading any information passed through it which is in the range of human perception.
The model designation NS 10 is derived from the unprecendented propgation capability of the active circuitry expressed in nanoseconds.With its active circuit bandwidth of 50 mHz and through-the-system bandpass capability in excess of 1 mHz the Threshold NS 10 simply removes the realm of possibilty any chance for transient and phase anomalies to affect the signal. In fact the active circuitry of the NS 10 will introduce less alteration to high frequency waveforms than passing the signal down a 3 foot length of top quality audio cable.This lunatic fringe performance assures that the high frequency roll off of the system as a whole consists only of those passive losses caused by cable and input capacitances and not but undesireable limitations in the action of the amplifying circuits themselves.
A new level of resolution for the NS 10 has been achieved through biasing the active input devices to current levels an order of magnitude beyond those normally applied to solid state preamplifiers. These very large bias currents radically reduce the distortions in the gain transistors, yielding a " super Class A " operating mode where the idling currents are many times larger than the current called for in active operation. In addition to high linearity,the large bias increases the magnetic phono input transistor overloand point to approximately 2 volts measures at 100 kHz so that the only possible overload occurs when the output swing reaches the supply voltage of 24 volts.
The Threshold NS 10 is a component of extraordinary performance that will radically surpass the capability of any source equipment or amplifier and loudspeaker with which it may be associated.
Specifications:
Description: Two channel,low signal level processing component having selectable input facilities for two velocity characteristics phono cartridges, four constant amplitude preamplified sources and record/monitor facilities for two tape recorders. Two pair of preamplifier outputs are provided as well as front panel controlled power for the Threshold preamplifier accessory modules.
Frequency Response: 1Hz through 50mHz
Rise Time: 25 nanoseconds
Propgation Time: Input to output propgation delay,approximately 10 nanoseconds.
Through the System Specifications:
Frequency Response: +0,-3dB 1Hz through 1 mHz
Distortion: Total harmonic and intermodulation distortion less than .005 percent at 1 volt output for both phono and high level stages.Below test equipment residual for distortion components higher than 3rd harmonic.
Maximum output before clipping: 10 volts peak
Magnetic phono input stage overload point: 1 volt peak at 20 kHz, 2 volts peak at 100 kHz
Slew capability: Maximum voltage slewing rate 100 volts per microsecond.
Impedance: Magnetic phono inputs 47 kohms, high level inputs 225 ohms, preamplifier outputs 1 kohm
Gain factor: Magnetic phono stage + 40 dB at 1 kHz, high level stage variable to + 20dB
Hum & Noise: -70dB unweighted through magnetic phono stages,reference to 1 volt output 20Hx through 20 kHz
No doubt these are indeed lofty aspirations and the resulting specifications where totally unheard of for the time.
Although time and technolgy may have surpassed the NS 10, it remains to this day as one of the finest preamplfier designs built to date.
Virtually a service free preamplifier with only the power supply caps that need attention some 25 years down the road. Equipped with gold plated RCAs, which was also unheard of for the time.
The one I recently acquired was in very pristine condition and functioned as intended. It has been sent to Jon Soderberg of Vintage Amp Repair, for a complete check out and to have new caps installed, which will give another 20 plus years of service.
These are becoming somewhat hard to find now as the NS 10 was replaced early on by the SL 10. If memory serves me correct the NS 10 had only about a 18 month production run.Used prices for these in operational condition range from $300 to $450.00 and those with box and manual command higher prices.
Without question Threshold under the leadership of Nelson Pass knew that in the final analysis, that the true endeavour was the music and the accurate reproduction thereof. This total dedication to music remains the essence of all Nelson Pass designs, from Threshold to Pass Labs.
Few products one buys have enduring value. Look at how many cars or homes we have owned in the last 25 years, all in search of something better or so we think at the time.
But here with Threshold was and is products that stood the test of time and continue to deliver the promise, many years since they were new. The reason for this is quite simple. Extraordinary design, coupled with great craftsmanship and a build quality that was and is second to none, even today.
After 47 years in this hobby and owning more gear than I can remember and a lot of it Threshold/Forte/Pass Labs here I am back in the beginning of high end with the NS 10 and 400A. Once again I have that super silly grin on my face, that has not been there for sometime and once again I am discovering the true joy of high end and its promise.
The Threshold NS 10 is a visionary preamplifier from one of audios most gifted designers and after all these years continues to deliver the promise as intended.
So now my system is basically back to the beginning, or back to the future in some ways. The Threshold NS 10 Preamp is driving a Threshold 400A amp with Alon Model 1 speakers. With all this Threshold recently serviced and
sounding as good as ever, it appears that I have returned home and thats a very good feeling for once. Now at 62 I
can finally get off the train, the trip is complete.
Associated gear
Click to view my Virtual System
Similar products
Threshold,Classe,Marsh,Forte,RGR,NAD, and far more others than I can possibly list.
- ...
- 9 posts total
- 9 posts total