Teajay,
Nice review man!! Since we've spoken numerous times since your SP Tech visit I felt like I'd already responded to this, then realized I hadn't!! Duh!
Pat and Teajay, thanks for the nice compliments. I'm really enjoying the now-broken-in Revelations. Those grenade-sized Mundorf caps required a good 600 hours, and that time did wonders for the speaker surrounds, etc too. I can't imagine what they must have sounded like in the warehouse because even the first 100 hours of them in my room were nothing compared to their sound currently.
The real unique aspect of the Revelations (and as I understand it, all of Bob's designs) is the magical combination of planar speed with transmission line dynamics and power. They produce micro and macrodetails, and a wave of air, that fools you into thinking the event is happening within the room. Even the subtle cues seems to move air and I guess that's what the brain needs to approximate live sound.
Sherod, the Sasons disappear like no other large monitor I've ever heard. I have only moved, in my HT/music room, to Bob's design due to the room interactions with the Sasons. They just couldn't quite get the bass response right, and it is not their fault. I didn't have them in the perfect Sason placement due to my bigscreen HT side wall viewing needs. The Sasons will find a home in my secondary 2 channel room, most likely.
I am going to complete the HT/music room setup with three addtl SP Tech speakers, a center channel Ultimate Mundorf Continuum AD, and two Intermediate Mundorf Continuum AD's for my dedicated music surrounds. All three will have external crossovers like their big brothers, the Revelations.
Teajay, you need to get Bob to bring a pair to the house. Combined with that Acustic Arts DAC, the Flora and those Pass amps.....WOW!!!!
Nice review man!! Since we've spoken numerous times since your SP Tech visit I felt like I'd already responded to this, then realized I hadn't!! Duh!
Pat and Teajay, thanks for the nice compliments. I'm really enjoying the now-broken-in Revelations. Those grenade-sized Mundorf caps required a good 600 hours, and that time did wonders for the speaker surrounds, etc too. I can't imagine what they must have sounded like in the warehouse because even the first 100 hours of them in my room were nothing compared to their sound currently.
The real unique aspect of the Revelations (and as I understand it, all of Bob's designs) is the magical combination of planar speed with transmission line dynamics and power. They produce micro and macrodetails, and a wave of air, that fools you into thinking the event is happening within the room. Even the subtle cues seems to move air and I guess that's what the brain needs to approximate live sound.
Sherod, the Sasons disappear like no other large monitor I've ever heard. I have only moved, in my HT/music room, to Bob's design due to the room interactions with the Sasons. They just couldn't quite get the bass response right, and it is not their fault. I didn't have them in the perfect Sason placement due to my bigscreen HT side wall viewing needs. The Sasons will find a home in my secondary 2 channel room, most likely.
I am going to complete the HT/music room setup with three addtl SP Tech speakers, a center channel Ultimate Mundorf Continuum AD, and two Intermediate Mundorf Continuum AD's for my dedicated music surrounds. All three will have external crossovers like their big brothers, the Revelations.
Teajay, you need to get Bob to bring a pair to the house. Combined with that Acustic Arts DAC, the Flora and those Pass amps.....WOW!!!!