You asked about the Sonus Faber Venere 2.5s. I auditioned them a couple of times and was tempted to get them. They have a very seductive sound that works on a wide range of material. They brought me into a zen-like state playing solo lute and a Chet Baker jazz album. They have that SF "magic."
I ultimately went for the Maggie 1.7s, but the Veneres brought a strong emotional connection to the music, and really, that's what it's all about. I personally found the upper bass (around 70-100 Hz) to be a bit too voluptuous on some material.
The Stereophile review is pretty favorable (http://www.stereophile.com/content/sonus-faber-venere-25-loudspeaker#cyPiXZtsy3iyTvJp.97) but both the reviewer and the measurements noticed this hump (http://www.stereophile.com/content/sonus-faber-venere-25-loudspeaker-measurements#zf0Zb65PaheJ0O5Q.9...). Atkinson figures the two woofers' overlap causes this.
I ultimately went for the Maggie 1.7s, but the Veneres brought a strong emotional connection to the music, and really, that's what it's all about. I personally found the upper bass (around 70-100 Hz) to be a bit too voluptuous on some material.
The Stereophile review is pretty favorable (http://www.stereophile.com/content/sonus-faber-venere-25-loudspeaker#cyPiXZtsy3iyTvJp.97) but both the reviewer and the measurements noticed this hump (http://www.stereophile.com/content/sonus-faber-venere-25-loudspeaker-measurements#zf0Zb65PaheJ0O5Q.9...). Atkinson figures the two woofers' overlap causes this.