How do you spot an overplayed used lp without obvious scratches etc


I'm pretty good at spotting record defects and scratches that will or won't affect sound quality.
Even with a well done cleaning, you play what looks like a good album and it has simbilence, a rough thick surface noise etc.

how do you spot these from a gem pressing?, 
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Over the past few years I've found it has gotten a bit harder to discern differences since, at least in my area, more vendors of used LPs are using RCMs to clean their stock which results in the removal of a lot of the telltale signs of prior poor handling, i.e. fingerprints, stains, visible grunge. One sign of mishandling that cannot be removed are the squirrely lines on the labels around the center holes. These are indications of sloppy handling when playing records and, in my mind, offer a valuable clue as to how this person's collection was generally handled. Unless it's a title I really want, I tend to pass when I see these marks if they are more than very minor. And then there are just the times when you've got a bad pressing and there is nothing you could have seen or do afterwards that will make any difference. That even happens every so often with brand new pressings. Fortunately I have great relationships with my used record vendors and if a used pressing is really bad they have never had any problems with an exchange. If it's at a garage/estate sale I pretty much pay my money and take my chances.

I agree with jerroot about used record vendors cleaning their records before they put them for sale in a shop or at a show. 

So besides checking the labels, pay close attention to the jacket.  This will tell you a lot.  Any of that white ring rash around the jacket corresponding to where the record would be inside?  A pretty good sign that the records were stacked for years instead of being properly stored upright.  Walk away!  Also is the original cellophane still on the jacket with the opening being sliced with a razor?  This is a very good sign that the record was properly cared for and played on good equipment.  The original buyer cared enough about keeping the jacket in the same condition as the record.

Last, buy Japanese pressings of your favorite titles whenever you can find them as these have really held up well over the years.  Since it was audiophiles that bought them at HiFi shops and at premium prices, you know that they were well taken care of.   All of my Japanese pressing are still free of surface noise and among the best I have in my collection.