New TT -- $1k - $1500


Where do I go from a technics 1200mk2?  I was thinking of the VPI scout.  Thoughts?

I know KAB upgrades are out there, but all totaled they are about $5-600 in upgrades.  I'm wondering if I can sell the 1200, and upgrade to something more exponential (offering even better upgrade options that I can spend over the next years).  

I've had the stock 1200 for almost 3 years and looking for something different.  Can I get it at $1500?
martinman
johnnyb53:  You were one of the primary influences in me getting a technics when I posted about what I was looking for back 3 years ago.  I was just getting into vinyl and wanted to test the waters.

The technics is one of the many reasons I stuck with the hobby.  It has performed well.  Quite well.  But, it is a fiddly beast.  If I stick with the technics (I bought used), I'd feel most comfortable sending it off to KAB for work (mostly so he can give it a once over before I put a bunch of $ into it).  I am a DIYer at heart and I would love to mess around with it, but I think it might get in the way of me enjoying the music.  Plus, I can't find anyone in the SE Michigan area to work on it - most audio shops ... well ... have other suggestions for me.  Which is the main reason I'm looking for something new.

RP3 and RP6 are both good candidates...  I wish the RP6 was in the price range - that's a little out of the box for me at the moment.  RP3 might not be enough.  
    
Well, Martinman, I’m *not* a DIY-er, and yet all the tweaks I mentioned I did myself. Installing the KAB fluid damper was pretty simple, and everything else was easier.

I had one advantage, however. The SL1210 M5G model comes standard with oxygen-free copper wiring in the tonearm, so I never had that rewired. I suspect that a low-capacitance the tonearm rewire on the standard models is essential for all the other good things to follow. I wonder if your any of your local audiosnob shops would be willing to stoop to rewire the tonearm. KAB has a low-friction hyperlitz tonearm wire that’s only $10/foot. https://www.kabusa.com/frameset.htm?/superflex.htm
Take a look at the new Technics 1200GAE table due out this summer. You can find a posting by mitch4t today on this forum with a link to more information.
If you take the leap to a REGA RP6 or even a RP3 with upgrades, you will find that the technics sounded THIN compared to the huge soudstage and fleshy images you will get with a REGA table and a EXACT/ Dynavector 10x5 cartridge. Any other table is moving sideways IMO. 

Matt M
 

My experience was totally contrary with Rega P3(terrible deck and great arm). I found that Rega P3 sounded FLAT and buzzzzed lots. It lasted couple of month in my system and I found that even stock SL1200 humiliates Rega P3 with greater tonal balance and clearer midrange. Bass was also tighter and substantially faster. 
Invest your money into upgrading SL1200 arm, arm-board, because the quality of this deck is substantially higher of any Rega in the market.
FWIW, there is a Sota Sapphire that just popped up here from a guy in Toronto with a number of updates at the low end of your range.  That leaves enough room left over for both a new arm and cartridge if desired.  I have been totally satisfied with mine for 30+ years and strongly suggest you consider it.  I feel it is a far more musical table than either Rega or Technics.  Note I moved from a Rega Planar 2 (way back in the day) to the Sota, so have A-B experience in my own home there.  Sota tables can also be upgraded in any number of ways for reasonable money when the mood strikes.

Good luck & happy listening!