Tonearm recommendation


Hello all,
Recently procured a Feickert Blackbird w/ the Jelco 12 inch tonearm.
The table is really good, and its a keeper. The Jelco is also very good, but not as good as my Fidelity Research FR66s. So the Jelco will eventually hit Ebay, and the question remains do I keep the FR66s or sell that and buy something modern in the 5-6 K range. My only point of reference is my old JMW-10 on my Aries MK1, so I don't know how the FR66s would compare to a modern arm. So I'd like to rely on the collective knowledge and experience of this group for a recommendation.

Keep the FR66s, or go modern in the 5-6K range, say a Moerch DP8 or maybe an SME.

Any and all thoughts and opinions are of course much appreciated.

Cheers,      Crazy Bill
wrm0325
Raul, Is it your thesis therefore that you and we ought to be listening to digital sound reproduction?  But the digital process, both A to D and D to A, brings with it its own set of distortions, ones that apparently are far more noticeable and irritating to the human brain.  That's the brain we are stuck with.  In fact, the whole premise that measured distortion ought to be a determinant of what we listen to and how we listen is flawed, because we already know that most of our methods for measuring distortion, starting with THD and going on from there, do not describe what it is or isn't that makes an audio system sound "real" or not real.  So, while I admit it's an imperfect way to go through life, subjective judgement is relevant, especially when there is collective majority agreement on the subject of analog vs digital sound reproduction.

My private thesis is as follows:
(1) Real instruments and voices in real time produce harmonics.
(2) Microphones fail more or less to pick up these harmonics in their fullest extent. More is lost during processing of the resulting signal, and some irritating distortions can be added, too.
(3) Reproduced music from which such low level harmonics have been stripped sounds less real because of the loss of harmonics.
(4) Thus, a little bit of added harmonic distortion at the end of the chain results in music that is perceived as more real than if no or less harmonic distortion is present.

And again, digital does other things that are not favorable.  That said, "modern" digital reproduction is certainly become very excellent.  I don't close the door on anything I would otherwise like.

Atmasphere,

**I suspected that was the case and so made sure that I clarified my position, which is that there are two forms of damping- one of which cannot be overdone as I had previously stated, and the other (which I never use) which most definitely can!**

You never used the fluid damping trough on the Triplanar?  

There are many kinds of damping schemes and it can certainly be overdone and/or misapplied.  Try some rubber washers between cart and headshell and hear how it sounds.

Raul,

What's wrong with you?  Why did you post that digital crap in a thread about tonearms?  Apparently science, reason and logic have no affect on your opinion, but you're off topic and way out of line.

If you're having emotional problems, please get help.