Phono pre "Break-In" process? Necessary?

I think I’ll hold off on putting my MA-1 Mk.3 Silvers on "or best offer" for a bit and keep my ears open.

roger_paul, Oh, the world is filled with many ironies. I have no idea what you may have going on here, and wish no personal offense. Yet, this thread seems like an odd venue to roll out a new paradigm for making things louder. Agreed, I don’t quite get it. Claims such as these are truly best brought from an independent party and you would do yourself, and your new product, I believe, better press in this manner.

It also used to be customary around these parts to note on your post that you are "industry" and therefore not be accused after the fact of unknowingly misleading someone here with your likely bias. I mean to suggest no impropriety on your part what so ever. As I’m sure you have the best of intentions and are very excited about what you have done. I’m just saying.

Offering info up in a new thread with links to your white paper and product reviews might be a real focused approach.

Happy Listening!

Thank you r_f for your civil response. The only reason I ended up on this thread was the topic "burn-in" which I happen to know about because it was the last obstacle in the way of distortion-free amplification.

I know of other manufacturers who I respect (like atmosphere) and have shared great wisdom on these threads. I don't have a problem seeing their input on something the some newbees are not quite able to understand. This is a hobby that can be made more enjoyable by connecting with like minded individuals. A lot can be learned by reading the experiences of others.

Roger

There is another thread started by the reviewer...

Has anyone heard the new North American products preamp and amp?

This would be the one to follow and learn about this process if you are curious.

Roger

Actually - it cannot be measured by external analyzers but it can be detected within the circuit and removed. As a result the resolution, detail and physical layout of the original venue become blatantly obvious.

The amplifier is able to pass the electrical version of the sound waves as if it only traveled via the air medium.

The velocity has to be included or it cannot sound live.

Roger