Phono pre "Break-In" process? Necessary?


Just ordered a new phono preamp from Jolida  (J9II). Is there a break in process I should be aware of? Or do I simply play normal and realistically believe that it will open up as time goes on. Also, how much can one expect this pre will improve over time?


markeetaux
Actually - it cannot be measured by external analyzers but it can be detected within the circuit and removed. As a result the resolution, detail and physical layout of the original venue become blatantly obvious.

The amplifier is able to pass the electrical version of the sound waves as if it only traveled via the air medium.

The velocity has to be included or it cannot sound live.

Roger
roger_paul " ... Actually - it cannot be measured by external analyzers but it can be detected within the circuit and removed."

If you have identified distortion but can't measure it, then either you are measuring the wrong thing, or you're mistaken about the distortion in the first place. If the distortion can be "detected," then it can be measured.
THD analyzers do not detect velocity. It is too far below the ability to display. The circuit can detect velocity and correct faint variations in speed in real time.

It is those speed variations the destroy the integrity of the final output sound and make objects embedded in the signal appear to be drifting (not stable).
roger_paul  " ... THD analyzers do not detect velocity. It is too far below the ability to display. The circuit can detect velocity and correct faint variations in speed in real time."

Oh,  you are talking about a turntable! Speed variations can certainly be very precisely measured. Indeed, the speed of anything can be measured. You just need the right tool.
In defense of the theory of "detecting the immeasurable". We have heard for decades, perhaps since the beginnings of mankind, certainly before electronics, things with our highly tuned listening devices, things that if our ancient ancestors had not heard and understood in time/space/direction cues, we would not be sitting in front of our glorious Hi-fi kits today for a casual listen. And so it goes, scientists still can't put simple numbers and logic to what we sit down with. Our old, damaged, ears and faulty logic, but sessioned listening skills and never the less, we hear without fail.

Two violin players play the same piece, note for note, why does Heifetz not sound like Grappelli?

Happy Listening! (regardless of measure)