To use the Lustre, the operator is not aware of it being regarded as a heavy arm. It does not look like a heavy arm but the arm tube 'is' Stainless Steel where as the Grahams are Aluminum or Ceramic and the JVC's are also of Aluminum mix. The Lustre also has some priority designed wire damping done inside of the arm tube and a unique bearing pivot design also. There are many things in regards to the Lustre that was not the norm for a tone arm so too state that " the magnetic/dynamic application of tracking force - dynamic VTF w/o mechanical liability" as being 'the' cause and effect would be just conjecture on my part. As you are aware, the arms performance is the combination of many different aspects of its design.
I do not in any way want to 'short change' the JVC 7045. But my high compliance cartridges seem to have better bass control when they were mounted on the Lustre. I only own a few of those but one of them is a favorite. It is the Ikeda 9C III (no cantilever). I also have a couple of the high compliant FR-7's, one being the 'fz' (another favorite). The difference between the arms is suttle but once you know that they sound better on a certain arm, it is hard to enjoy them when you do not have that arm installed.
I have a spare (rebuilt) TT-81 that I did my best to come up with a place that I could place a 3rd turntable so that I could leave the JVC 7045 in place, but short of knocking down and re-configuring a wall, I am at a lost as how to get it in a position to actually use. I'm sure you are aware of space constraints with all those turntables/arms that you own! (grin)
Regards,