Swapping 5AR4 rectifier for 274B in a PrimaLuna Preamp


Long time lurker, first time poster.
I have recently acquired a PrimaLuna Dialogue Three preamp.  (not the new 'premium' preamp, the original Dialogue Three)  It's a fantastic unit and sounds incredible.  I've achieved some very nice results tube rolling some of the other components I own(ed).  I am contemplating switching the OEM 5AR4 rectifiers with a pair of mesh plate 274B's from Sophia Electric.  
http://www.sophiaelectric.com/pages/se/274b.htm   
While allegedly pin compatible, I understand the life of the rectifier might run short.  To quote Sophia Electric's site:
"The 274B is direct heating tube. The indirect heating 5AR4 may turn on slower, however, people who buy 274B is for its superior sonic performance. To fully utilize its benefits, it may require first stage capacitor (capacitor input) to be less than 10MFD, or would shorten the 274B life span (very much like smoking is bad for your health). It would not be a problem with common choke input. Please consult to your amplifier maker or refer to a tube manual.
The maximum current capability for Sophia Electric 274B mesh plate tube is 90ma, suitable for tube pre-amp. "   

I was hooked on the SE 274B when I saw that Woo Audio was offering the 274B as an upgrade to their WA6 headphone amplifier.   Further research turned up a couple of great reviews for the tube in other amplifier and preamp applications.

PrimaLuna / Upscale Audio have given great recommendations for the Phillips 5R4GYS in my preamp.  In all probability I'll find myself buying & trying both and selling whatever comes in 2nd place.  

I'm pretty new to the tube game, but learning fast. 
I would welcome the opinions of those with more experience and finely tuned ears.  


128x128t-bon3
I phoned Upscale Audio and spoke to Kevin Deal. He made a compelling argument for the Phillips 5R4GYS, particularly in the Prima Luna Dialog preamp. I placed an order and should have a pair soon.

Thanks to all who responded - you gave me some great advice.
t-bon3,let us know how you like the Upscale Phillips 5R4GYS  tubes when you get a chance...

Can you please advise Kevin's technical reasoning for the above recommendation, i.e. why better specifically for the PL, and advantages / disadvantages over the Blackburn GZ34. I would be interested in learning the technology.
bradf - I am sure Kevin would be willing to explain his recommendation to you.

My 5R4GYS tubes arrived this weekend.   I swapped one channel so that I could compare the OEM PrimaLune 5AR4 tube on one channel to the 5R4GYS on the other.  I liked what I heard.  

I'm not a Audio journalist so my vocabulary is somewhat limited; however I can give you a concrete example of the difference the tube swap made.

A few weeks ago, I was listening to Sarah Mclachlan's "Surfacing" album - a 180gr Music on Vinyl release.  I wasn't satisfied with the separation I head on a few of the tracks.  It seemed like the vocals were lost in the instruments - the vocals should have stood clearly apart and airy against the music.

When I swapped tubes and listened to the same album and the same tracks - the "veil"  that I felt covered the vocals was gone.  I got the sense of space and separation that I was chasing.  

It was a pretty significant change, not subtle at all.  Even a neophyte audiophile like myself could hear the difference.

I can't say how they compare against something like the Mullard GZ34.

Hey t-bon3 – Thanks for replying to this thread with your experience in swapping out the 5AR4 with Upscale’s Phillips 5R4GYS. Interesting feedback, and is consistent with most other reviews I’ve read of the 5R4GYS.

 

What I find especially interesting, is that according to what I’ve found online, the 5R4GYS has more sag/voltage drop than the 5AR4, and yet many listeners prefer this higher amount of voltage drop. Logically, this seems counterintuitive. You’d think that a more consistent, and relatively higher, voltage level would provide a more powerful and stable power supply and therefore better overall sound. But, that does not seem to be popular opinion.

 

The Guitar Player article I provided the link to above seems to have the best “electrical” explanation for this. The writer is talking about guitar amps here, not hi-fi. But the explanation seems to make sense nonetheless:

 

  • From the article: “…The slightly compressed feel that a tube rectifier produces when hit hard can be a big part of the magic in some tube amps. It softens the front edge of the player’s pick attack while producing an enticing, explosive swell of notes just behind that attack, and can often make an amp feel more dynamic and touch-sensitive. Players and philosophical amp designers alike will also tell you that they sometimes hear more air and dimension in tube-rectified amps; a sort of bloom and spaciousness in the notes that gives them depth and texture.”

 

The only “logical” explanation I can think of, is that what listeners might be hearing when replacing their rectifier tubes is the “newness” of their newly installed rectifier tubes vs. their older, possibly worn-out ones that they replaced. It might be more a matter of tube age, usage, and wear-and-tear, and not inherent differences between different rectifier tubes.

In any event, the magic and mystery of listening to music through vacuum tubes continues. ;-)

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