Has anyone heard the new North American products preamp and amp?


The new versions are called X-10s and the amp is on its third version or Mark III. This truly provides holograph imagine unlike anything I've heard before. On symphonic orchestras, one can hear the first violins. I have never heard an amp sound this precise.

In reality, I doubt if any amplifier can rival it. I certainly have never heard any that do so. Every album is so involving.

The preamp has yet to get a remote but is nevertheless, quite striking.
tbg
I previously wrote,

"theaudiotweak
1,337 posts
02-28-2016 9:24pm
"Someone who is a member here and now, stepped away from his use of an active servo isolation platform made in Europe and costing many thousands of $..this was many years ago. I wonder why."

I’ll go out on a limb here: operator error. Am I close?"

Addendum: unfortunately we had to listen to the person you’re referring to rant and rave about the European active servo isolation platform in question for years before he suddenly had a (weird) change of heart. Now, there are many reasons why someone might have a sudden change of heart, after ranting and raving for many years, not the least of which is some problem or another creeped into his system and he blamed it on the iso platform. Who knows? Something doesn’t add up. The person in question had this whole backstory that the Halcyonics platform had no resonant frequency. Pu-leeze!! If that were actually true I’m pretty sure the LIGO project would have looked them up a long time ago since the LIGO isolation team is the best in the world. As I have commented repeatedly the effectiveness of an isolation device is a function of many factors involved with set up, E.g., how the component is interfaced to the top plate, how the platform is mounted, whether a rack is used to mount the device, how much damping is applied to the top plate, things of that nature. Isolation is a black art and not for the squeamish or all thumbs types. lol

geoff kait
machina dramatica

Roger wrote,

geoffkait, I will be the first to admit you guys have a better grip on the physical vibration issues. I'm still learning. But I do have a grip on electronic signals and how they behave in amplifier circuits. That has been my life's work. My obsession with accuracy has taken me down to the "tiny" world of analog errors. I wanted to see the first [velocity error] happen before it manifests itself as full blown distortion. That's the place to clobber it before it gets out of hand. I can force the phase of fundamental to stay within fractions of a degree of dead true.

The equivalent physical vibration would be extremely high to cause the fundamental to move a full octave or more away from true producing harmonic distortion. That is a serious shift in velocity."

Unfortunately it's all part of the same thing.  It is probably wishful thinking to sweep structureborne vibration, acoustic vibration and vibration induced by motors and transformers under the table.  I don't care how obsessed or how long anyone has toiled in some subject or another. If hard work was all that mattered we'd all be rich.

I once had two Halcyonics active isolation units. They were very expensive units and focused on low frequencies and thought that under my turntable and under my amp. This company ultimately raised prices greatly and was slow in delivery, but I never had an entire system isolated on these platforms.

At about that time I experienced the Stillpoints ESS rack and asked for a review sample. Everything on the ESS was better than two things on the active isolation platform.

The Stillpoints has a innovative method of turning vertical vibrations into horizontal vibrations and hence into heat. Ultimately, I had everything isolated on their Ultras and ESS racks. 

Along came the Star Sound Tech Apprentice platforms. Under my amps it was more dynamic with a sharp leading edge and great high end to go with the benefits of HFC cables. I now use both companies products, each with its own benefits. I have a friend who needs real isolation for his experiments. He bought Halcyonics and showed no interest in Stillpoints. 

Long ago, I learned that using a Goldmund single hard point under the transformer and two soft points elsewhere was a nice improvement.

My overall conclusion is that we need more science focusing on vibrations. Is it better to try to absorb them or to drain them away to mass. Meanwhile I go with what I hear.
Roger wrote,

"The trick is not to waste your hard work on the wrong idea."

eggs ackly! I couldn't have said it better.

geoff kait
machina dynamica
advanced audio concepts