Pani ... New ART-9 up and running ...


The Cartridge arrived and I took it down to Studio City to Acoustic Image to have Eliot Midwood set it up properly. Eliot is the bomb when it comes to setting up the Well Tempered turn tables correctly.

http://www.acousticimage.com/

So, last night I had Mr. Golden Ears over to get his assessment as well. For a brand new cartridge that had zero hours on it ... all I can say is WOW! This is one naturally musical cartridge that doesn't break the bank. Its everything I liked about the OC9-mk III, but it goes far beyond the OC-9 in every respect.

In a previous post, I talked about the many mono records I own and how good the OC-9 was with the monos. Well, the ART-9 is on steroids. Just amazing on mono recordings.

At under $1100.00 from LP Tunes, its a bargain. The ART-9 surpasses all cartridges I've had in the system before. That would include Dynavectors, Benz, Grado Signatures and a Lyra Clavis that I dearly loved. In fact, its more musically correct than the Clavis. The Clavis was the champ at reproducing the piano correctly ... the ART-9 is equally as good in this area.

Sound stage, depth of image, left to right all there. Highs ... crystalline. Mids ... female and male voices are dead on. Transparency ... see through. Dynamics ... Wow! Low noise floor ... black. Mono records ... who needs stereo?

Your assessment that the ART-9 doesn't draw attention to itself is dead on. You just don't think about the cartridge at all. Not what its doing, or what its not doing ... its just beautiful music filling the room.

Thanks again Pani for the recommendation. I'll keep posting here as the cartridge continues to break in.
128x128oregonpapa
Thanks very much, Bill. I’ll definitely keep your suggestion in mind. And thanks also for your long-standing advocacy of the VTPH-2, which significantly contributed to my decision to purchase it a few months ago. In addition to its great sonics, btw, I am continually amazed at how absolutely quiet it is.

Lew, I’ve never seen a load capacitance recommendation for the F-9E Ruby. FWIW, though, as you’ve probably seen the datasheet for the original non-Ruby version, while not explicitly stating a recommended load capacitance, indicates that the specified 45 kHz bandwidth (necessary for reproduction of some quadraphonic formats) is based on "operating conditions" of 80 pf in parallel with 100K.  (Although elsewhere in the datasheet resistive loading of 47K is indicated).

Regarding the impedance of the Herron’s LOMC input, yes I too would expect that some resistance would be incorporated between the gate of the FET and ground. But even if that is so, based on the following statement in the VTPH-2’s description I’d imagine that it would be in the millions of ohms, which in the context of cartridge loading is essentially infinite:
The VTPH-2 will not load the cartridge at all if no loading resistors are plugged into the MC loading inputs. This is because the moving coil input stage of the VTPH-2 utilizes the electric field generated by the cartridge to amplify the voltage and no current is drawn from the cartridge (there is no load on the cartridge). This can give an extended sense of dynamic freedom and sound stage as it reduces the work done by the cartridge and cartridge/groove interaction.

Note B: Some cartridges will need loading in order to reduce their inherent rise in high frequency response....

... We recommend trying the VTPH-2 in the no-load configuration as the unit is supplied for most moving coil cartridges. 47,000 (47k) ohm RCA load plugs are supplied with the unit for optional use. Additional user specified loading plugs can also be purchased with the unit.
Regarding Soundsmith’s CL vs. OCL, one of the main reasons I chose the CL (in addition to favorable commentary here some years ago by very knowledgeable members such as Mofimadness) was that I had some concern that with the OCL version SRA/VTA might be more critical than I would prefer to deal with (even though the Unitrac arm provides on-the-fly SRA/VTA adjustment). That concern being raised in my mind by the fact that the OCL is described as having a "diamond shape [that] closely resembles the actual cutting stylus that is used to create the master record."

Best regards,
--Al

Here is an update that may help all our music loving ART-9 owners, I just bought a 47 Labs phonocube phono stage. It is considered a bit tricky to match all cartridges because it is a fixed impedance phono stage which amplifies current instead of voltage. One cannot set any loading impedance on it. Theoretically there is no loss due to loading and the amplification circuit sees the complete signal from the cartridge. Ok, the good news is it is terrific match with the ART9. Just like the cartridge the phonostage has also disappeared in my system. I do not hear either of them, just unrestricted and free flowing music with all its glory and dynamics amplified clean and clear! No sibilance, no noise, no etch, no roll-off, so slowing down (typically due to loading) and no coloration anywhere. If anything I am probably hearing the power cord and interconnects. Kudos!
^^^ Nice, Pani ...

And once again, thank you for turning us on to the ART-9. What an amazing cartridge it is.

I've recently placed a Synergistic Research Black fuse into my ARC PH-8. Once the fuse is broken in (70 - 150 hours), it gives new meaning as to how good the ART-9 really is. Highly recommended. 
^^ Agreed, it is indeed amazing for the outlay. Mine is just past 100hrs now, and presenting music as good as I have heard in 30 yrs in this crazy hobby. I just heard some new guitar lines in Love over Gold that I had never knew existed, adding to the great sense of space and instrument placement makes this MC a serious contender way above it’s price point. It clearly works well with the updated V2 of Concert Fidelity’s SPA4c phono stage, an ultra short signal path design. Masa Tsuda is a fan of My Sonic Labs cartridges which are also sublime, but for now I’m more than happy with the ART-9..

Like everyone else, it seems, this thread has got me curious about the ART-9! Any ideas about whether it would be a good match for a Naim Aro?