I can only speak to my experience with the platters that work with non-inverted bearings where the platter sits on top of the bearing supported be three set-screws where the spindle has rubber o-ring/s to off-set (some) of the play that is inherent in this design.
I use a square or something that I know is square (sometimes a business card works if checked for square, or you could invest in a dial indicator) to set on the plinth close to the platter as it spins. I've always seen the need to adjust the platter on the bearing by sliding it slightly in one direction in order to get close to no wobble or "out-of round" as possible. (With the Classic platter/bearing design, the only way for it to be off-center would be for a machining error, otherwise, there is no play there). (I find it hard to believe that anyone who's ever checked this, hasn't experienced the same thing.) This is why when I say the Classic platter is "self-centering" it makes a big difference. The only other possible measurement left to deal with is the precision of the machining of the run-out tolerances for the platter to run true, therefore have correct, consistent speed leading to more musical satisfaction. I believe, according to VPI, the Classic platter has closer machining tolerances that most older platter designs. (This is why I care.)
When one obtains more expensive, more closely machined devices... this is where a lot of the improvement in sound quality originates and separates good sounding components from great sounding components. (Another reason why I care.)