I bought my first MIT cables about 30 years ago at a garage sale not because I had preconceived notions of improved sound but because I thought they looked really neat. I now have another pair that I acquired through a trade simply because I needed spade connectors, again, not expecting any magic. Consistently, on these forums I’ve admitted to a relative inability to discern subtleties in sound modifications so consider myself less than an expert when it comes to differences in sound related to conductors however constructed.
However, when I installed these Terminator 2 wires even I heard an increase in bass output. Although I’m not a big lover of bass I was convinced if they were responsible for this change, whether or not a positive outcome for a given individual, it must be modifying the delivery of other frequencies as well. I decided to look for an explanation of these “boxes” and viewed a you tube presentation by MIT. It was very informative but what I primarily came away with is that all conductors make changes in signal accuracy and without modification a non-linear signal not representative of the source is what the speaker sees. It seems the main purpose of the box, then, is to recreate a linear signal.
If, in fact, it does that then we should hear a more accurate representation of what was introduced at the source. Even though I don’t necessarily hear it myself all wires must change the nature of information being delivered. I believe, then, that for those who have the sensitivity to hear the subtleties I described will choose wires that match their taste, not because they are more accurate, but because they simply best match their tastes. Now that I THINK i get what MIT is saying, I’ll chose accuracy over other considerations for choosing wires and I’ll keep the MIT wires in my system.
My setup used in this example is as follows:
Shanling CDS100; Theta Casablanca preamp in stereo mode; Ayre V3 amp; Martin Logan Ethos speakers