Redbook Keeps Surprising


I was a Best Buy to get a memory card reader for my computer. Looked at the CDs and saw a few in the bargain bin that I would like to have, only a few dollars. Came home, ripped them with DB power amp, picked the best cover art. Transferred to my Aurender through the NAS and played away. WOW, impressive sound and I really enjoyed them both. I like the High Res downloads and my SACD collection but am often really impressed by good Redbook CD. It really is the music that counts. 
davt

I also say +1 for these cheap to get CD bundles, but the big downside is if we/us are getting them this way instead of purchasing new ones because we are content to listen to the 100 that we just got for peanuts, it will speed up and spell the end of new cd's being manufactured, even great specialized labels like Reference Recording cd's etc etc. 

Cheers George

 

This leads to another consideration--do you prefer to listen to your digital music via files, or do you like to have the physical media playing in your system?  My dealer was playing music via his MacBook into a DAC, and I remarked on how good it sounded.  He said yes--with the reservation that the file may not be as bit perfect as the actual disc. 

@ oregonpapa et al.
I presume that you realize that ripping and then reselling, even donating, the physical CD is a flagrant violation of the fair-use provisions of the copyright law. You MUST have physical possession of the original CD, LP, DVD whatever, or you must delete it from your system. (A purchased download is, of course, a different matter.) Everyone knows all that, I presume, but georgelifi is absolutely correct. Ripping CDs and ripping-off the artist is NOT in *YOUR* best interest, either. Not only is it simply unethical (but I guess you can live with that...), it has over the years had a notably adverse effect on musicians and music production in general, especially on those with limited audiences and distribution. It also necessarily keeps prices higher. Lastly, when one disposes of the CD, one disposes of the frequently worthwhile "liner notes" and artwork as well.

I'm not saying I've never purchased a "used" CD, but when I do, it is never sold by anyone again. Moreover, I'll often make an effort to buy CDs directly from the musicians themselves whenever possible. I guess I think of it as noblesse oblige. In any case, if folks in these parts can lay down ridiculous money for cabling and other exotic gear, at the very least they can reasonably support the musicians and others without whom the rest is for naught.
Good points, lp2cd.  I have always wondered what the used CD retailer owes to the artist after I have sold them a bag of CDs I no longer enjoy.  The music store will give me anywhere from .25 to $3 for a CD and reject a few, as well.  They then offer me cash or store credit, with 20% off anything purchased. 

"You MUST have physical possession of the original CD ...."

This is an interesting aspect of the law. I always thought artists get paid for each CD purchased but what happens to the same purchased CD after that is immaterial to the artist as he/she will not or cannot be paid twice for the same physical CD.

It's like if I have a defective CD, I should not bin it lest it gets picked up by a scavenger?

I may be wrong but I find this issue rather puzzling.