Cable Controversy

Psag, I, like you, believed balanced were the best solution.

Then I  got the opportunity to compare a 2 meter Kimber Kable silver balanced IC to a 1 meter KLE Innovations gZero3  single ended IC on a very  nice Ayre/Magic system.

The gZero3 sounded better with respect to clarity, dynamics, bass extension, bass control,  Imaging and neutrality. They were also free of any colouration.

Not only did it surprise me, it surprised the owner of the system.

Just another person's observation 😊

But it made me change my view of single ended cables, which is all I use now.

BTW, KLE Innovations only make Single ended cables because they believe them to be superior for shorter cables.

Just another opinion.

psag OP349 posts07-29-2016 9:49amOk, but even for short runs, I don't agree that a single ended cable will outperform a balanced cable. There may be exceptions, but in general, I think its accepted that balanced cable is an advance oversingle ended.

Not true. If you start with the condition that cmnr is not needed in your application as dictated by your particular environment (i.e., because of short runs, low emi/rfi, etc.), then the benefit of a balanced system is zero (by definition) yet the inclusion of phase inverters in the signal path to achieve balanced has a negative consequence. 

Each application should be evaluated on this basis. As I said earlier many very well regarded electronics manufacturers eschew balanced for this reason.

As an aside, it always amazes me how the 6 db delta alone in balanced output is mistaken by some for an improvement over single-ended cuz the person fails to properly adjust the volume in a properly designed experiment. I am not saying this is applicable here but it happens (a lot).

Even for short runs, I believe the benefit of eliminating cable-induced noise would outweigh any theoretical losses from restoring phase.

I see the topic of discussion on this thread is dealing with balanced cables at the moment so forgive me if I take a slight detour from that.  However the OP asked about cables in general, and requested to hear "voices of experience and sanity", so here are my two pennies.

It is my opinion that the community is greatly mistaken about cables.  While I firmly believe that different cables sound differently from one another, I am equally convinced that audiophiles are wrong about what the cables are actually doing in a system.  For example, in the amplifier/speaker relationship, if you really want to hear what your amplifier sounds like, your speaker cable should be exactly the same wire that is inside of your amp going to its binding posts.  Right?  All these high end cables we put as the interface between amp and speaker that give us tremendous air and expansive soundstage, etc., are all DOING SOMETHING to the signal to give us the ILLUSION of air and expansive soundstage.  Anyone who believes that expensive cables are unlocking something magical from your amplifier is a fool.  You can't get something from nothing.  If you have some generic wire inside your amplifier and speaker, insert a $4,000 speaker cable between them and VOILA!  Now you have successfully unlocked the amplifier's full potential.  Or, my favorite, "found a cable that gets out of the way of the music".  Give me a break.

So just to recap:  Yes, I believe different cables sound differently from on another, but it's because they are manipulating the signal to give you the illusion of more this or that.  They DO NOT unlock your amplifier's greatness.  If you truly want to know what your amp sounds like, use the same wire inside your amp as speaker cable.  

This is what makes most sense to me.

devilboy says "For example, in the amplifier/speaker relationship, if you really want to hear what your amplifier sounds like, your speaker cable should be exactly the same wire that is inside of your amp going to its binding posts. Right?"

Uh wrong.  I have read much in the ongoing discussion of the role of cables in an audio system, but I don't recall ever hearing that argument before.  Open up your power amplifier and look around a bit.  You will find several different types/gauges of wire in there geared to a specific task that wire is designed to accomplish.  The wire going to your binding posts is just one of that many designed for a specific purpose.  Is that wire important?  You bet.  After breaking a binding post on my amp, I took it to an audio designer who also repairs and modifies equipment.  When he saw the cable in my amp, he recommended that he replace it with a cable with a purer conductor and superior dialectric that would more faithfully and effortlessly transport the signal (music) to the new binding posts.  I followed his advice.  Did he send 16 feet of that same wire home with me to be used as speaker cables?  Of course not.  That wire was not designed to faithfully transport the music signal for such a distance.  

All I have been trying to accomplish with the wires in my system is to faithfully transport the music signal from one place to another with as little negative impact as possible.  I do agree with you that different cables do alter the resulting sound of a system.  And cables can't create something that isn't already there in the music, but.... they can, do to their relative quality of transporting a signal, preserve more or less of that music signal's integrity.

"found a cable that gets out of the way of the music". Give me a break. 
I guess I can't give you a break after you made the statement quoted above.  That is EXACTLY what the goal of all the cables in a system should be.  Get out of the way and let the music flow!