Cable Controversy


I love the cable forum. Discussions about cable can really generate sparks among the mature audiophiles. Regarding cable design: Other than the basics of resistance, impedance, and conductance, it seems that there is very little firm ground upon which one can form convincing conclusions. Witness the bewildering array of cable designs, incoporating network boxes, magnets, biased shields, liquid conductors, solid core, braided strands, exotic metals, air dialectrics, to name but a few. In contrast: Regarding balanced cables, at least one experienced poster and equipment designer has stated here that all balanced cables perform identically, once a few basic design parameters are met.  I ask for the voices of experience and sanity to offer their theories and experience on the topic of cable design and performance. Thanks in advance.
psag
devilboy says "For example, in the amplifier/speaker relationship, if you really want to hear what your amplifier sounds like, your speaker cable should be exactly the same wire that is inside of your amp going to its binding posts. Right?"

Uh wrong.  I have read much in the ongoing discussion of the role of cables in an audio system, but I don't recall ever hearing that argument before.  Open up your power amplifier and look around a bit.  You will find several different types/gauges of wire in there geared to a specific task that wire is designed to accomplish.  The wire going to your binding posts is just one of that many designed for a specific purpose.  Is that wire important?  You bet.  After breaking a binding post on my amp, I took it to an audio designer who also repairs and modifies equipment.  When he saw the cable in my amp, he recommended that he replace it with a cable with a purer conductor and superior dialectric that would more faithfully and effortlessly transport the signal (music) to the new binding posts.  I followed his advice.  Did he send 16 feet of that same wire home with me to be used as speaker cables?  Of course not.  That wire was not designed to faithfully transport the music signal for such a distance.  

All I have been trying to accomplish with the wires in my system is to faithfully transport the music signal from one place to another with as little negative impact as possible.  I do agree with you that different cables do alter the resulting sound of a system.  And cables can't create something that isn't already there in the music, but.... they can, do to their relative quality of transporting a signal, preserve more or less of that music signal's integrity.

"found a cable that gets out of the way of the music". Give me a break. 
I guess I can't give you a break after you made the statement quoted above.  That is EXACTLY what the goal of all the cables in a system should be.  Get out of the way and let the music flow!
Good points all around guys! Keep the information on cables/cords a-flowing.
I agree that, in theory, the role of cable is to deliver signal 'faithfully' (for lack of a better word), with as little degradation to the signal as possible.  Audioquest for one espouses this type of philosophy in some of their ads. It would stand to reason that I would like the Audioquest sound, but there are other wires on the market that sound better to my ear, in my system. I have no idea whether my wires of choice are more faithful (than Audioquest) to the original signal. Perhaps they are introducing good-sounding distortion into the playback chain.
@hifiman5, I think you need to read my post again.  

Regarding your post, you say "the wire in the amp is one of many designed for a specific purpose" (or more realistically, price point).  Also, when your binding post broke, you followed someone's advice and replaced the conductor.  That's fine.   Replace the conductor with whatever you want.  Replace it with something that's $1,000 per inch.  MY point was, in order to hear the most truthful representation of your new and improved amplifier, theoretically, you would need that same conductor going to your speaker.   You repeat the word "faithfully" numerous times in your post, also mentioning the word "integrity".  The only conductor that will do so, is the one in your amp.  NOT some boutique cable costing thousands of dollars.  Obviously no one will do this, I'm just trying to make a point.  

When used properly, cables can balance out a system very well.  If an amp is too warm or dark sounding for the owner, he/she may add a cable that livens up the highs or opens it up a bit, and vice versa.  That's the beauty of cabling.  

Thank you for ending your post with, what I consider to be, the most annoying, misunderstood line in audio.  
@hifiman5, one more thing regarding your post, specifically your use of the word "faithfully". You say you want to transmit the signal as faithfully as possible. Ok. Faithful to what?

Let’s say you purchase a cd. You take this cd home and you want to get the music from the cd to your ears as faithfully as possible.
Great, however your very first link in the chain is adding its own sonic signature to the signal. Every step of the way, something is coloring the sound somewhat:

1) cd player/trasport
2) digital cable
3) DAC
4) interconnects
5) preamp
6) interconnects
7) amplifier

So, now hifiman5 wants to reproduce the signal as faithfully as possible. I ask again, faithful to what? The cd? Pa-lease. You’re already so far away from what’s truthfully on that cd that you cannot be close to it at all. The only thing you can be faithful to at this point is get the sound as close to what’s leaving the amplifier. Now, you want to add some boutique speaker cables between your amp and speaker to be "faithful" to the cd? Gimme a break.  The damage has been done.