Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
jetter
121 posts
08-03-2016 7:33pm
Geoff, is it your basic premise that the drawing of the metal through a hole in a die or draw plate to form the wire imparts a directionality to it? Not sure how this works.

Yes, that’s the premise, that drawing the wire through the final die imparts a direction of the crystal grains as it were on the surface and below the surface of the wire. It’s because metal has a crystal structure, that is homogeneous in it’s liquid state as well as it's first solid state (no pun) but deformed by a series of cuttings and drawings through dies, including drawing through the final die. The music signal apparently prefers to travel down one direction rather than the other. Perhaps the metal wire is like a porcupine which would prefer to be stroked in the direction of it’s quills rather than against the grain as it were. If I had to guess, I’d imagine the ubiquitous "single crystal wire" is not nearly as directional - if at all - as ordinary wire. This also might explain why carbon wire and Graphene wire and lead wire (!) (not that I’ve heard lead wire) sound so good, inasmuch as those materials are not crystal in nature, but homogeneous.


Me thinks geoffkait is using "bot speak" for some answers, as it's way too out there to be a human being on the other end with some of the voodoo answers it's thinking up.

Cheers George  

georgelofi
1,648 posts
08-03-2016 7:58pm
Me thinks geoffkait is using "bot speak" for some answers, as it’s way too out there to be a human being on the other end with some of the voodoo answers it’s thinking up.

That would be illogical, Captain. Your feeling snowed by some of my answers just might have something to do with the fact that you were an English Major. Not that there’s anything wrong with that. My design of an interplanetary rocket engine using metal crystal structure bombarded by high-energy ions was almost 50 years ago.

;-)

cheerios,

Geoff Kait



I burned in my Besswax fuse in the pre (260 hours).
 There is very notable musical enhancement. Of all the sound parameters the most noticable is an organic music that is at the same time shoking and relaxing as if you were assured that this is like the music should be. 
Organic is the word that comes to mind. Lots of details but all in a coherent and realistic way. 
There is now a new version of the Beeswax (the SHD) that is said by Peter Hansen (Cable Co) to be a significative step beyond.
I will try it soon in my pre. (If someone is interested in a classic little ued Beeswax 6x32 mm 1,5A slow blow at good price please let me know).
I also have SR Black in my amps that are near 60 hours now. They are great also. Maybe more spectacular in bass boom and spectacular scene and many other things that have descibed at long in this thread. They still need to burn in until at least 100 hours before judging them definitely.
Both products are great and I made the choice of mixing both but it is an arbitrary choice only empirical. An hypothesis that both could combine.
Please forgive my english as it is not my native language.
JY