Atmasphere amps trustable?


Tube world, a big world, then I came acorss the Atmasphere on the net, looks different from those common tube stuff... kinda weird, the M-60 uses 8x 6AS7G output tube and 4x 6SN7 driver tube per channel, where're the rectifier tubes? Plus they're so-called OTL, sounds even more weird.
mtoc
Stevecham: I'm always amused by those that chastise someone else for contributing nothing to the subject at hand, yet contribute nothing themselves beyond the criticism of the offending poster.

I didn't contribute anything (sorry), but I'm sure your rebuttal won't either.
Unfortunately, my experience with my M-60 was not all that great.  I bought it new about 4 years ago through an authorized dealer.  Within the first 3 months, 3 output tube failures. Every time a tube failed, I would hear a loud pop through my speakers scaring the c***p out of me.  Tube hiss was another issue.  Power transformer hum was another.  By far the noisiest tube amp I've owned. After 6 months, I sold it and never looked back.

On the positive side, it had the best high frequency I've ever heard from any amp.  Smooth, crystal clear, and detailed.


B: I hear you, thank you.

When I encountered the OTL concept for the first time and read about Futterman's early efforts along with a few editorial accounts of experiencing "sonic bliss" but with the acknowledgment of some (potentially tube only-based) unreliability issues, I researched more and learned about a design that seems to make sonic sense on paper, and in some critical listening, but has challenges matching optimally to the impedance spectra of many well known and popular speakers. Still, the ability to make it work reliably and sonically is cited to have improved even though the ~4 Ohm output impedance still seems to a limiting factor; it's difficult to apply the ten-to-one minimal nominal speaker to amplifier impedance ratio often cited in order to maintain flat frequency response.  

I would love to hear an OTL based system properly set up. So, perhaps while I don't know what I'm talking about either, I am interested in hearing from those with real experience owning and living with OTL amplifiers. I also agree that to jump to a critical stance without knowing is not the best choice, but I am humbled by the experience and expertise of others to help enlighten. 
Been reading about Transcendent’s products. I want to build one (or two monos)!
Tubes are retro of course from the beginning.
They're noisy, require LOTS of wall power; generate LOTS of heat(especially OTL ones!) and LOTS of distortion(even considering even order ones) making the playback far from real. Very often the soundstage will seem like sounds from far away. Also as tubes about to become bad, these unpleasant effects multimultiply including some unwanted echo, RF or EM interference or microphony. Tube components indeed sound different, but they're just toys and nothing serious no matter of reputation or credibility of one or another manufacturer.