Are there other Artisan Fidelity TT owners aorund?


So after being an audio hobbyist since my uncle got me going down this demented path some 17 years ago I finally purchased a TT. I had flirted with the idea for a very long time but honestly I've heard a number of TT's at shows and at buddies homes and none of them moved me. Now obviously many many variables are involved. Lets start with, was their TT setup correctly (superlatively).., I don't know. Was the arm/cartridge combination simpatico.., again, I don't know. Was the phono preamp just so-so or great and if it was great was the cartridge loaded correctly.., you get my drift.

So with my digital down through the years easily besting (to my ears) the analog I'd been privy to, I found no reason to spend the money required to involve myself with analog. My former Bidat easily dispatched a SOTA Cosmos Vacuum TT in a head to head listening session. Ditto for my former Dynavox Dynastation.., same with my AMR DP777...etc.

At Axpona last year I listened to the $170K Clearaudio TT along with about $85K worth of Pass Amplification and perhaps $200K worth of JM Labs speaker and cabling only to be more moved by the sound from the Playback Design MPD-5 in the same room.

Finally I realized the only way I would ever find out for myself would be to purchase my OWN TT and make sure it was expertly setup and dialed-in. I had a rare chance to purchase a latest-revision-pristine example of a Graaf GM70 Phono Preamplifier. I have a soft spot for Graaf as Mr. Mariani simply builds the finest gear I have laid ears on. So now I have this phono pre sitting in the box for a few months when I see a SP 10 MK III come up for sale in Agon. So, I threw caution to the wind and contacted Chris at Artisan Fidelity; after some conversation I hung up having just commissioned the building of a SP10 MKIII Next Gen TT.

I was happy for about a month then the fear started to creep in, "what have I done?". What if this thing SUCKS!!!! and my digital system which is very very very good if I do say so myself stomps it!

During the build I researched and read tons of user reviews (I don't really pay attention to so-called pro reviewers) on arms and cartridges. I finally settled (with a lot of talking to Chris and other friends and a lot of late night web searching) on the Kuzma 4 Point and the Ortofon MC Anna.

So, here we are today and I have had my TT for a little over 3 weeks now and I have about 150 - 160 hours on the rig. Early on it sounded ok, you know.., good but nothing special. I liked it but my digital was fully up to the task and in some cases much better :) (now I'm scared)

Ok, so fast forward to 100 hours.., ok, I think I'm starting to understand all this analog hype :) better and better. now we are at 150 hours.., the word SUBLIME comes to mind. The spaciousness, openness and natural continuity of the analog is addictive. The dynamics seem to go on forever along with a naturalness that is very difficult to put into words. I did purchase the Furutech Demag, the Destat II, a scale..., all the toys to go along with it :) Again, I wanted to know for myself and the only way to do that was to take the plunge.

So how does my digital hold up? Well, my well run-in long time AMR DP777 has NOTHING to be ashamed of. It sounds great and I can easily go from the TT to the DP without too much shock (the AMR guys are big vinyl heads and use vinyl as a reference when designing) BUT... when I have two equally well recorded pieces of music (Best of Eva Cassidy comes to mind or Diana Krall Live in Paris 24/96 vs 180g/45) as good as my digital sounds the SP10MK III simply walks away. Again the digital is not trodden underfoot and indeed 20 seconds of the digital and you will be into it fully, but the analog rig beguiles with its effervescent ease and infinite continuity of musical flow.

Ok, so to end this long synopses.., I am now deeply into analog and have been going to local used record stores and burning up my cc on Music Direct and Acoustic Sounds...etc.

The folks at Artisan Fidelity are the real deal and they built me a museum quality +180 pound Porsche Basalt Black TT/piece of art that sounds AMAZING!!!!

I also ordered a Bassocontinuo Apogeo rack for the table which should arrive in about 2 weeks. I am enjoying my foray into the land of analog!!!

THANKS CHRIS!!!!!!!
audiofun
I know the feeling :) I would suggest an Ikeda 407 or a Kuzma 4 Point. You simply can't go wrong with either. Also the Reed 2P is quite worthy. 

I am am listening to my SP10 MK3 as I am typing this response, ShellyManne & His Men; sounds awesome!

My Technics Sl1200 GAE, arrived last Tuesday, waiting on the cartridge and very anxious to hear it.

Congrats again on your new table. Trust me, you are going to love it. Had mine for what is it now, 2 years plus? Never ever regretted one moment of the not so monetarily small purchase :) Chris is the real deal.
I have the Kuzma 4Point on my AF table.  It sounds awesome (meaning it has no sound at all) and allows the MC Anna to do a spectacularly good job. I know it is a little outside the budget if you buy it new, but you may be able to get a discount or find one used.  Highly recommended.  I have not heard it, but I have been told by people I trust that the Reed 2P is good on the AF.  I have an Origin Live Encounter on another table; it sounds really good, but not like the Kuzma. Different cartridge though, so not apples and apples.  The OL arms are worth investigating.  Your budget gets you near the top end of the OL line.

What cartridge are you using?
cleemartin:

We we have the same incredible arm/cartridge combination. My system literally brought Diana Krall and the hall into my home last evening on the 45 album All For You. I have the XRCD 24 version of this album ($55) and on my AMR DP 777 Signature Edition it sounds fabulous, in fact it literally makes me smile. On my my Kuzma 4 Point/ MC Anna equipped SP 10 MK 3 NG feeding an AMR PH77 with Bendix 6900 tubes.., Diana's in my house!
 audiofun & cleemartin:

Thanks for your recommendations.  I have dreamed of the Kuzma 4point arm and I know the Ikeda is also a top flight arm.  Chris also said the top OL arms work great with my table.  My cartridge is Ortofon MC Black.   I will also research the Reed 2p.  





The Ikeda is a little bit less flexible, just because of the arm mass.  On the other hand it makes cartridge changes easy.  I love the 2M Black.  If you like it, you might want to keep your arm and look at a new cartridge like the Ortofon Windfeld or the A95.