Andrei, Here is how I think of it: A conventional pivoted tonearm is always set up such that the stylus tip overhangs the spindle. Now think of the relationship between the tonearm, the radius of the LP (from stylus to spindle) and the pivot to spindle distance, as 3 sides of a triangle. In order for the stylus/cantilever to be tangent to the LP groove, there must be a right-angle triangle formed such that the tonearm and the LP radius are sides A and B of the triangle that must meet at 90 degrees, per the Pythagorean theorem. In such a triangle, the pivot to spindle distance is side C, the "hypotenuse". Pythagorean theorem says that the length relationships of sides A, B, and C in such a triangle must be such that C-squared = A-squared + B-squared. But, because the pivot to stylus distance is always greater than the pivot to spindle distance, when you posit overhang, this condition can never be met. Thus, for a conventional pivoted tonearm, the stylus/cantilever can NEVER achieve tangency to the groove. Headshell offset is a band-aid that permits tangency at two points along the arc traced by the stylus, but as noted above, headshell offset per se creates a geometry whereby there is still some skating force even at the 2 points of tangency.
What is more accurate: magnetic anti-skating, or barrel weight attached a fishline?
I have seen turntables from Project, Music Hall, and a few other brands that still incorporate a small barrel weight attached to short fishline string which is stretched across a hooking loop to set ANTI-SKATING. It seems to be an artifact from the 1960's and 1970's tonearm design. It is also easy to lose or break
My question is how accurate is that "device" compared to magnetic anti-skating employed by many turntable manufacturers Thank you
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- 64 posts total
- 64 posts total