The bad thing about no pre is that you lose the volume control as well as the switching on most amps. Also the volume control has more effect than most think. On Audio Synthesis the different models had different volume controls. Really good volume controls are expensive. I have used my passive with CJ 350, Gamut 200, and Meridan 605s. The last are my backups and still good after all these years. Not it the class of the others of course. It has worked well with all.
Best Preamp - NO preamp... (?)
A few hours ago I decided to experiment and bypassed my highly regarded, excellent passive preamp and hooked up my PS Audio DSD DAC directly to the power amp.
There is no going back...
Every aspect of the sound has improved so dramatically that I'm simply blown away. I'm a bit shocked, playing CD after CD and I still can't believe it.
My phono stage has gain control as well, so it seems that from now on it will be disconnecting RCAs and plugging each in turn.
Since I usually do vinyl day or cd day (or week) anyway, the trouble seems totally worth it. Letting the cable settle in for a bit is not an issue.
Am I just crazy or are any of you doing the same?
Should I be concerned about damaging the RCAs over time?
Thanks for your thoughts and experience. :-)
There is no going back...
Every aspect of the sound has improved so dramatically that I'm simply blown away. I'm a bit shocked, playing CD after CD and I still can't believe it.
My phono stage has gain control as well, so it seems that from now on it will be disconnecting RCAs and plugging each in turn.
Since I usually do vinyl day or cd day (or week) anyway, the trouble seems totally worth it. Letting the cable settle in for a bit is not an issue.
Am I just crazy or are any of you doing the same?
Should I be concerned about damaging the RCAs over time?
Thanks for your thoughts and experience. :-)
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- 78 posts total
Here is the Colloms rating. The only one almost the same was the very top ARC and it was a very little worse. Conrad Johnson Premier 14 39 Conrad Johnson Premier 16LS 49 Conrad Johnson Premier 18 28 Conrad Johnson Sonographe fet pre 15 Conrad Johnson 18LS 30 Conrad Johnson PV10 B 28 (line) Creek OBH -15 MM, MC phono 35, 19 Creek OBH 22 passive (load sensitive) 39 Creek OBH 21 Headphone amp 40 Cyrus Phono (PSU) 28(35) Edge Signature one (battery) 37 Electrocompaniet EC3 18.5 MC, 22 line Exposure MCX 98 Halcro DM10 22 disc/26line Jadis JP 30 (original series) 14 Klyne sk6 13.5 Krell Evolution One 120 Krell Evolution 202 70 Krell KSP pre 21 Krell KRC-2 22.5 Krell KCT 28 28 Krell KPS 28 35 Lehmann Audio Silver Cube 26 LINN Uphorik 98 Mark Levinson No 38s 33 Mark Levinson ML 26 20.5 Musical Fidelity MVX pre 12 Musical Fidelity MVT 13.5 Music First Reference Bal/SE TFR 180 Myryad MP 100 pre 15 Naim Prefix mc phono 45 Naim Superline mc phono- Hi-Cap 120 Naim Superlinemc phono Supercap, Supercap DR 145, 190 Pink Triangle PIP pre 18 Plinius Koru 15 MM/MC Pro-ject Tube Box SE II Phono MC, MM 45,45 PS Audio GCPH 15 Roksan Platinum Phono Reference DXP SE 45 Roksan Platinum PR15B 20 Stevens and Billington transformer passive 33 Tag McLaren DPA 32 19 Thrax Dionysus 135 Thrax Orpheus 225 Townshend Allegri autotransformer 230 Townshend Glastonbury Pre 1 SE AutoTFR 195 Trichord Dino Mk2 MC phono 29 std supply, 33 NC supply Van Den Hul Grail MC phono 65 XTC PRE II 80 (line) YBA Pre 1 15.5 - See more at: http://www.hificritic.com/preamplifiers-and-phono-stages.html#sthash.gh4VAjUt.dpuf |
I would be interested to see (hear) what a good, active preamp could do in your system. I went preampless for a few years and thought it was great, but the got a Jeff Rowland Criterion preamp and I realized all the midrange I was missing. Preampless is a bit too sterile for me. My preamp is the heart and soul of my system. |
- 78 posts total