When will there be decent classical music recordings?


With "pop" music the recordings are such that you can hear the rasp of the guitar string, the echo of the piano, the tingle of the percussion ... and so on .... and in surround sound.
Surround sound is brilliant in picking out different instruments that would otherwise have been "lost" or merged with the other sounds.
Someone will say well that is not how you listen at a concert, but that is just archaic. As a friend said many years ago to me ... whats wrong with mono?!
I am sure Beethoven or whomever would have been excited if they could have presented their music in effectively another dimension.
I have yet to come across any classical recording that grabs me in the way it should, or could. Do they operate in a parallel universe musicwise?
I used to play in an orchestra so I am always looking out for the "extra"  presence in music ... in amongst it, not just watching and listening from a distance


tatyana69
Wow, I feel just the opposite! I wish more popular music was recorded with the approach more typical of classical music recordings. The most irksome thing about most contemporary popular music recordings is the squashing of dynamic range, followed by having the musicians sounding as though they're playing in different rooms. I do have to admit that, perhaps due to the microphones being placed above the strings, and piano, rather than in front, I often hear these instruments as being overly bright. Also, I would on some level expect to hear chamber music differently than symphonic music. With chamber music I tend to prefer the musicians in my room perspective a bit more, and with symphonic music I tend to prefer the perspective of being transported to the concert hall.
Oh no, no 'flying guitars' for me please. However, if we start talking about ambient atmospheric tribal music, then I might agree that surround sound may have the place, should be recorded and mastered well though.

I understand what you are saying by a blob of sound.

But the better your equipment becomes(which can take a heckuva lot of money) the more impactful and transparent it becomes.

You can listen to Paray's on Mercury Saint Saen 3rd in its most recent cd incarnation and find it overwhelming. I can't stop listening to it.

I recently got an outrageously expensive great cartridge and even 70s vinyl pressings of Reiner's Lt. Keiji and Ansermet's Pulcinella are tremendously moving to almost bring tears to your eyes. I know that with more space and more money it is capable of sounding better and then there is reel to reel... But most of us have space and money limitations.

And there are those who are into original acoustics on victrolas and find them unearthly in their presence. True time machines.

If you want anything better you'd have to hire Dutoit and Montreal to play in your back yard. 

My equipment is good enough to get anything possible from the source, and as you know the better the equipment, the worse is the sound from bad recordings ..... relatively.
I do appreciate suggestions of quality recordings. so thanks - I will research.