Interesting that nobody talks about tape life/management/degaussing/erasure/printhrough....
I worked at a major studio in Chicago for a little while when I was a kid. It was all a BIG DEAL there. I remember degaussing an old Ampex 1/2" mastering deck and having the engineer yell at me: "what are you doing! You MUST do that properly or you'll ruin our master tapes!"
Maintenance of the decks and rolling the master tapes was 1/2 of what I did there.
Life span of tape is quite finite, along with the gradual degradation over time from stray fields. How do tape head audiophiles deal with that? The studio had a climate/humidity controlled room for storage!
The Ampex and Studer machines they had there were quite amazing machines.
I worked at a major studio in Chicago for a little while when I was a kid. It was all a BIG DEAL there. I remember degaussing an old Ampex 1/2" mastering deck and having the engineer yell at me: "what are you doing! You MUST do that properly or you'll ruin our master tapes!"
Maintenance of the decks and rolling the master tapes was 1/2 of what I did there.
Life span of tape is quite finite, along with the gradual degradation over time from stray fields. How do tape head audiophiles deal with that? The studio had a climate/humidity controlled room for storage!
The Ampex and Studer machines they had there were quite amazing machines.