Can I convert stereo to mono for a phono input

Is switching the leads to one channel on the cartridge the same as me attaching a multimeter to the center pin on one channel and the ground sleeve on the other? Or is the ground blended by the phono preamp?

Hi Peter,

While I suppose there may be a few exceptions, I would expect that in nearly all cases the ground sleeves of each of the RCA connectors provided at the outputs of phono stages and preamps are connected to the component’s circuit ground, and therefore to each other.

In the case of your Einstein phono stage, I see that the phono signals for the two channels are processed through circuitry in physically separate housings, so I would expect that the circuit grounds for the two channels are connected together via the external power supply which is connected to both housings.

So if my assumptions are correct a reading between the center pin of the RCA output connector for one channel and the ground sleeve of the RCA output connector for the other channel would simply indicate the signal voltage for the channel to which the center pin is connected.

Best regards,
-- Al

Thanks Al. I finally reached the manufacture via Skype. He told me that I could use a Y adapter, but only if I add some resistance to the output. For each channel,  I need to add a 500 or 1000 ohm resistor (0.6 W minimum)  to protect the circuitry. So off to RadioShack I go! I need simply insert this resistor on the hot (positive) leg  between a male and female RCA jack upstream of the Y adapter.  Then it becomes safe to sum the two channels, or should I say short the two channels together, and I can use the out of phase azimuth track to set my azimuth. Based on other  contributions to this thread, I will start there and then adjust by ear on one or two minor tracks.  

So I guess the upshot of this whole thing is that one can use the out of phase test track even if you don't have a mono switch if you take the proper precautions, and it's probably worth contacting your manufacturer, as  Al suggested early on.
Thank you everyone. 

John_Tracy, that is a small difference in output for a significant difference in sweet spot. Mine is around 2 feet to the left, in my estimation. I'm curious whether most balance/volume controls provide that high resolution of an adjustment. I would guess 0.5 db is the lowest.

My experience has been that 0.25dB steps for a balance control is about as "wide" as one would want to go. My DIY line stage also doesn't have a balance control. So I provided my DIY power amps with input attenuators that can reduce their gain by ~2dB in 0.25dB steps.

 Wow! I think I just found a good way to electronically evaluate my cross talk. There is a free program called ispectrum available for the Mac, that provides an oscilloscope with a band pass. I can use my test record with test tones for left and right channels individually  and measure the output for each channel for each individual track.  Input to my Mac Mini can be either through the microphone input, or through my USB analog to digital converter. In either case, the oscilloscope measures both channels, stereo.
Based on prior posts, I doubt I will be able to counter at my channel imbalance this way. Perhaps the anti-skating is off a bit and maybe playing with that will help? 

Another interesting observation about setting channel balance.  I'm looking at the meters on vinyl studio to judge channel balance.  I started with a 1khz -14db test tone on the Cardas Test Record.  It showed a weak left channel.  Antiskating didn't help here at all.  Then I used the Hifi News Test Record with a -20db pink noise channel balance track, and the channels seem balanced in the meters.  Then a mono Ella recording and the left channel is just a tiny bit lower than the right, nothing really significant.  Which to believe?  It seems like my calibration sources are imperfect, particularly the Cardas. How to set azimuth if the source is not truly balanced b/t channels…  Not impossible, but adds a bit of additional variability, no?