Random thoughts from a sort of, kind of audiophile


Random thoughts from a sort of, kind of audiophile.

I've been involved in this hobby off and on for over 55 years having started off building a monaural Heathkit amp and "sweet sixteen" speaker when I was in high school. Since then I've been through so many iterations and combinations of gear I probably could not list them all but, until recently, pursued mostly solid state upstream components and planar speakers. Now it's tubes and dynamic speakers that I prefer but have no arguments supporting either technology over the other for anyone but myself. For those who consider themselves audiophiles in the truest or most understood sense of the word, please dismiss what I'm saying here as ramblings of someone who is somewhat envious of those with superior abilities and the means to "perfect" their listening experience.

I know the words but don't have a well developed understanding of the audio enthusiast's vocabulary and I'm not convinced that everyone using some of these terms uses them with the same meaning either. I'm reluctant, therefor to use them myself. Those that I do use, like timbre, graininess, muddy, thin, tight, etc probably mean pretty much the same to most in the hobby.

From what I've read here on Audiogon, there seems only a few of us that have the luxury of a purpose built listening room so room balancing can be a real challenge. I didn't realize how important this was until I incorporated electronic measuring and setup equipment, especially when I was using large electrostatic speakers. Partly because of this, I suppose, is the reason I enjoy, almost to the point of preference, the nearfield setup in my garage as much as I do. Also, because much of my listening is to solo guitar, a wide soundstage presentation seems not only unnecessary but even unrealistic. I do enjoy good headphones but, again, the soundstage issue pops up; it sounds to me like the sound is coming from inside my head instead of from a guitarist sitting across the room in front of me.

My hearing is not as accurate or with the range of youth as many others' and I've been impressed/amazed at claims made by some regarding sound quality associated with differences between various components and setups. I'm sure, for example, that there is a measurable sonic difference between various comparably constructed interconnects and speaker cables but at what level are they actually discernible by the average listener? Is there anyone who can actually hear the difference between a one meter interconnect compared to one that is two meters long? I doubt it. What about elevating speaker cables? The advantage of elevating cables seems, no offense, bordering on fantasy, understanding of course, that those who use them are probably in a situation of having already maximized everything else in their setup.

What about power supply? Again, I cannot tell the difference between plugging into any old household outlet and one that is stabilized. I do have completely dedicated power circuitry with power management myself but mostly for a little added protection and because it conveniently acts as a large multiple outlet power strip.

I can't give a good reason for this post; it doesn't help anyone except, I suppose, to let those in the same place I am to realize that they're not alone with these same issues. I realize, also, that these comments may have more to do with my own listening shortcomings and not meant to be judgmental of those who are not so burdened.

My current main system consists of the following:

Source - Apple TV - CAL Sigma DAC - Peachtree pre - Cary Audio Rocket 88R - Reference 2 Serie MMC speakers.
OR: Theta Basic CD transport - Theta Pro DAC - speakers as above......and it sounds really good.

Some pretty old stuff but, then, so am I.



128x128broadstone
Well, for some the knife is sharp when it shaves easily, for others it is just the beginning of true sharpness. If the knife can take this kind of edge, of course.
I have never experimented with one meter and two meter same model interconnects, but I am quite certain that there are people who can hear the difference with some or all brands and models. When I put one half inch Walker Audio resonance control disc on top of the tape deck, I clearly hear the improvement in clarity. Also, records treated with LAST record preservative sound slightly better, all of them. Are those two examples of mine significant? It depends, but the difference is small.
As for difference in hearing, I noticed many times on this forum that there are a lot of arguments coming from people who cannot hear well, whether they know it or not. I have met people with better hearing than mine, I had no reason not to believe them, most of them were musicians.
Oh yes, elevated speaker cables. Sometimes there is a slight difference that I can hear, sometimes not.
Agreed Broadstone, some things make an obvious difference and others make hardly any difference at all. 

Careful what you say about cables and interconnects or raised cables - there are many here who can hear what should be 10 impossible things every day before breakfast.
In fact, if your hearing is good but not great, it gives you certain advantage when putting your system together. 
" In fact, if your hearing is good but not great, it gives you certain advantage when putting your system together."

You can't hear your wife complaining about how much money you spend on equipment.
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