How do I power my 800D(3)s

@lalitk I agree haha

im not going to give bo any more time that he needs.  I've encountered him way too many times on audiogon and he says the same thing.  Every thread he tries to derail even though it's not about the speakers that the OP is asking about... He is asking about amplification but Bo takes it upon himself to teach us about his trufi garbage.

FYI I've had Sonus Faber Stradivari and Rockport Aviors in my room and the BW  802d3 for me are better for my listening preferences and my biases.

Are they for everyone?  No there is no such thing.

But unlike Bo, I don't presume to tell everyone what to listen to because I have insight.  I'm not blind like Bo.

Not everyone is Bo.

Thanks again for the continual feedback.  Some more useful than others :)

I hear that there could be new Classe Kit on the market in March/April so I need to bare this in mind.

I have planned some dealer visits over the weekend with a friend and somebody who I believe will help me to debate the pros/cons.

I agree with the main summary that I should base the choice on my own listening preferences.  After all, you guys have no idea how well calibrated my ears are!

Thanks again.

Matt

P.S.  I have learned through this process, that most of the brands could do with a serious design/aesthetic overhaul.  I would say that I am an Industrial Designer :)

People are not able to look further, that is a fact as well.

For the money the 800D3 costs you should get a huge holographic 3D stage with all the layers in the frequencies. And it needs to be able to show you diversity in height of the instruments and voices.

But it is a fact that the 800D3 cannot create it. I am even prepared to demo it.

Who is prepared for a shootout? Who can let us hear a huge 3D stage with the 800D3? Who can let us demo that high hats are played free and high in the air?

Many people prefer to hear what they want to hear. This way they limit themselves.

Audio is not about a brand, it is all about the best quality you can get. At this moment B&W is by far not the best brand in quality. But when they will get new and better people the next generation can be a lot better.

What I said earlier; I don’t bash B&W, I don’t have anything against it. I want people to get the highest level in quality possible.

What is wrong with that?

I sold Classe for over 6 years of time. Classe is like a good meal. It tast well and there is nothing wrong with it. But when you want something extra or even more tasty Classe is not the best you can get.

Audio is all about those products which are the best in it’s class and brings all the emotion out of the music.

Just stop Bo.

Matt asked about amplification not your speech on trufi and speaker preferences.

I think a Pass labs X-series will be the best option. It depends how much money he wants to spend. The cheapest option for a new one is the X350.8. When he has more budget I would go for a X600.8 set. 

Even with his 800D3 it will outperform the Classe amps. This is based on the fact that the level of diversity of the Pass is a lot bigger.

You can play very loud with the 800D3 with both sets. Even at low volumes you will have a powerful controlled low freq.

The mid frequencies of the Pass are more open and diverse compared to the Classe. It can make more a 3 dimensional shape of an instrument or voice. With Classe I never auditioned this level.

The Pass is also able to let you hear the difference of each sound of an instrument. When you listen to competitors it is more like a sound. It is more difficult to hear all the layers in sound of voices and instruments.

Most people have no idea what the differences are in cables when you use them with  the same speakers, amps and source. First you need to know the properties of the loudspeakers, amps and sources before you can make a choice which cable is the best option.

An Audioquest, MIT, Transparent, Nordost or Taralabs will have different properties. When you compare them they build the stage differently, the sound is different, voices and instruments will have a different size and even the blacklevel is a lot different.

The most test I did in over 18 years of time were done with cables. When you have no idea how an instrument sounds in real or how big it is in proportion, tell me how you want to choose the right cable?

When you listen to the endresult; connecting a speaker, amp, source and cables togheter. You need to understand what the properties are of the cable you use, or you will not understand why the stage and sound is what you hear.

This is why trial and error is audiogambling. It is important that you use the right properties to create the right sound and image. And that voices and instruments have a realistic proportion