Mono vs stereo


Although I like stereo, often I find it contrived.  More fun than actually adding to the music realism.

I see the Beatles have a "mono" collection available.

Are there any "mono"  advocates out there? While I realize there is no "left / right" imaging, is there a sense of realism that isn't captured in stereo? 
128x128jimspov

It's been quite a while since I last heard the early Beach Boys LP's in non-Monaural pressings tostado (I used to have them all), but I specifically remember being surprised by the true Stereo Surfer Girl album. Emblazened across the top of the LP jacket's front cover is the huge Capitol Records' <STEREO> banner, while the other BB albums that aren't Monaural are labeled Duophonic (sometimes in very small type ;-). I'm quite certain about Surfin' Safari, Surfin' U.S.A., Little Deuce Coupe, Shut Down Volume 2, All Summer Long, Smiley Smile (a really bad recording anyway, unfortunately. It contains some of my favorite Brian Wilson writing), and Wild Honey. The last two Capitol albums, Friends and 20/20, ARE regular stereo. Their next album---Sunflower, the first for Reprise Records, had a paragraph on the back of the gatefold cover, detailing how the recording was a "True Stereo" one, not a multiple-Mono one as I described earlier. Pretty Audiophilic! I don't know whether or not it's true, but who was talking about such things in 1970?!

By the way, Capitol Records released three Beach Boys albums in 1963, three in '64, three in '65, and two in '67, with "only" one (Pet Sounds) in '66. My how the record business has changed! 

To really appreciate a mono recording it should be listened to on a 3 speaker mono set up..... Wow
brf:

Isn't that how Harry does it?

bdp24:

I always learn from your informative posts. Thanks.
Isn't that how Harry does it?
Not sure, but that is how my neighbor has his set up.
bdp, yes, the later Beatles mixes can be very different between stereo and mono.  Listen to the stereo version of the song Yellow Submarine and you don't hear "a life of ease--everyone of of us" and on the stereo Sgt. Pepper's Reprise you don't hear McCartney's "barker" shouting at the end, right before the segue to A Day In the Life.  Somebody fell asleep at the board on those.  But the early Beatles recordings are not that way.   As I said, the mono mixes of those were (according to George Martin) made from the stereo mix.  He made the stereo mix the way he did to facilitate the making of the mono mix.
 The Beach Boys mixes were a bit weird anyway, in concept, because you've got an artist with only one good ear trying to mix in stereo.  Doesn't work so well.  Brian did assist with the 90's Pet Sounds stereo remix (which I prefer to any other mix of that work).