What are the best speakers for 80's hard rock?


Hello folks!
I want suggestions for best speakers and amp for 80's hard rock music. Many bad recordings, so many high end speakers (and amps) sounds very harsh and hard, with little bass. It's more important to me that my stereo can play bad recordings in a good way, than play good recordings in a fantastic way.

I want very laidback and soft treble, but I want a bass that goes deep and alo is very punchy.

I know many people say that I should here on vintage speakers. But I want new speakers. Any price range!

Thanks for suggestions!
rockpanther
I have found, listeners who primarily listen to rock, tend to " turn it up ", more so than other listeners.
When I play classical I like to crank it so you really get those bass drum wallops.

Verdi's Requiem (Fritz Renier conduction) on the RCA Soria set, track 2 side one, 'Daes Irae' will bring most systems to their knees if played at the performance volume. Dual 15" woofers really help.

There are several  copies on ebay right now:

 http://www.ebay.com/itm/RCA-VICTOR-SORIA-SERIES-USA-LD-6091-VERDI-Requiem-REINER-2LP-BOXSET-BOOKLET-...
Horns are designed to project out to listeners (or simply add efficiency if close listening is preferred), and older ones didn't have phase plugs for dispersion and beaming avoidance issues. My old Altec A7s sounded best when given some distance (That horn was a mid/high thing). In an average size room your ears will distort before most well designed speakers do, and in a large room (like the 360 seat venue where I often mix shows) I have mega watt clean P.A. gear to get any musical point across (18" powered pro woofers). If I’m listening to heavy classical or anything I feel needs to be dynamic in my normal room and just crank it, my subs (8" and 10" RELs) might need to be turned down a little to keep from overwhelming the room with bass, and all else is plentiful…my room is medium-large I think…wallop…great term…wallop...
To clarify,

In my example contrasting MBL vs Soundlab, it was not my intention to suggest that Soundlab would fo a poor job with Van Halen.   It WAS my intention to suggest that the big MBLs would do a better job (at least to my taste).  The delta is probably more significant on the flip side - The MBL wouldn't be my first choice for chamber music, while the Soundllab might well be.  Both speakers sound good with a variety of source material, but the MBL (in particular) shines with loud rock music IMO.

BDP used his car analogy, and I think there's some merit there, tho I might go with a different variation on that.   Some performance cars are designer around higher output motors and live with higher weight.  Others prioritize low weight and might trade away horsepower to keep the whole thing light.  The design starting point influences the end point.

I do think the designers of the Soundlab and MBL started in very different places.  'Stats and omnis inherently offer different potential and I believe that the respective designers look to optimize the basics that they're working with.  In any event, they do sound very different from one another.  I prefer the MBLs to the Sounlabs (and probably anything else) on electric rock at high volume.  For a real-world variety of source material, I'd probably choose Soundlab.

That statement is based on my auditioning both speakers, not the observations re: design.