New Townshend Rock 7 owner


The Townshend is in transit to it's new home. I purchased this one-owner table as a package, complete w/ Funk Firm FXR ll arm, dc motor upgrade, Discovery Balanced phono cable and Brinkman PI cartridge. It come with all original boxes, manuals.

If all goes well, I should be able to get it up and running with one exception, my phono stage is not balanced. Since the original owner bought this from a respected dealer as a package, I think my best route would be to get a pair of RCA to XLR adapters in order to hear the package as close as possible as was intended.

Any thoughts on that aspect? What brand adapters would be recommended? Also, any thing I might need to know from experienced users to help with set-up? Thanks.
128x128slaw
kps25sc,

Your comments are really appreciated! I'd love to hear your impressions when you've heard the new belt.

Happy Listening.
I have been looking forward to this weekend for more great sounding tunes. I decided to try the recommended talc on the belt. I tried it this way on both sides of the belt and I was no longer connected to the music like I was last week.

I wiped off the talc and put on the same lp I had been listening to previously. There it is, I got it back... my connection to the music. The bass tightened up, the (energy) returned, my emotional connection to the music is back.

This, to me, is a substantial difference. So be forewarned.

Happy Listening.
BTW and FWIW, I'm finding myself listening with my latest metal clamp (and my older expandable metal washer) I bought a few weeks ago for 97% of recordings. The clamp has Rock 7 printed on it.
Setting up your Rock 7: (the relationship of motor to platter, IE: a starting point.

I write this based upon my experiences so far...

What I find, sounds the best, based upon my trying different motor heights vs, platter...

You may be wondering, WTF?  Well, this does make a big difference my friends.

I've tried several motor heights vs it's relationship to the platter. In every mode, there was A difference. (You may prefer one to another). I'm just reporting that a difference is to be had via these (two relationships).

For those of you who may want to ascribe to my personal best..here you go..

Once you've aligned the motor housing with the platter and the belt is riding in the center of the sub-platter, and the belt on the pulley seems to be slightly above the conical part of the pulley.. you've come (very far).

Now on to the best sounding setting:  Assuming you have a visual "sight line" in relationship to the underside of the platter to the top of the pulley...the top of the pulley should be ALMOST level with the underside of the platter. Maybe VERY slightly above or VERY slightly below.

If you've achieved this, you're going to hear THE best sound. Simple, right?

In theory yes, in practice, it takes a little more involvement. Some may think, that I'm not serious,...I ask those, this.... "You want me on that wall... you need me on that wall"..

Happy listening
of coarse this assumes that the tt feet are tightened up as far as can go to the plinth.

Happy listening