Thanks, Bob. Ohlala, the answers to your questions depend on the specific designs that are involved.
First of all, though, I would keep in mind that most XLR-to-RCA adapters short the signal on XLR pin 3 to ground (XLR pin 1). That would be appropriate when adapting to an XLR input, and may be appropriate when adapting an XLR output that is transformer coupled. But in the case of **some** designs that have actively driven XLR outputs it may cause problems or conceivably even damage, eventually if not sooner. See this thread for example. I believe that Cardas can supply adapters on special order which leave pin 3 unconnected. I have no knowledge concerning the Purist adapters.
But in any event I would think it likely that you could accomplish proper gain matching just by using the gain control on the subs, without an adapter or adapter cable.
The other possible issues relate to sonics. I couldn’t find relevant information on the L1, as it is an older model, but to be able to be confident of good sonic results if RCA cables are connected to one destination (amp or sub) and XLR cables to the other the following needs to be determined:
1)Are the L1’s RCA and XLR outputs for each channel driven by separate output stages (i.e., are they independently "buffered"), or are they driven by the same output stage, as is the case in many designs which provide both kinds of outputs. In other words, is the center pin of the RCA connector for each channel simply connected directly to one of the two signal pins on the XLR connector for that channel?
2)What are the output impedances of the L1’s RCA and XLR outputs?
3)What are the input impedances of the subs and the power amps?
4)Approximately how long are the cables that connect the preamp to the power amps, and that connect the preamp to the subs?
If the answer to the first question is that the RCA and XLR outputs are driven by the same output stage, and the signal provided to the RCA connector is therefore the same signal that is provided to one of the two signal pins on the XLR connector, the answers to the other questions become particularly important. In that situation the loads presented to the preamp by the sub’s input impedance and also by the capacitance of the cables to the subs may have adverse sonic effects on the signals received by the power amps, especially if the output impedance of the preamp is high.
Aside from the issue of adapters (and perhaps some adapter cables) shorting pin 3 to ground, though, there’s no harm in trying any of this. And if your power amps can accept both XLR and RCA inputs, I would first determine which of those connections sounds best on the main speakers, before deciding which connection to use for the subs.
Regards,
-- Al
First of all, though, I would keep in mind that most XLR-to-RCA adapters short the signal on XLR pin 3 to ground (XLR pin 1). That would be appropriate when adapting to an XLR input, and may be appropriate when adapting an XLR output that is transformer coupled. But in the case of **some** designs that have actively driven XLR outputs it may cause problems or conceivably even damage, eventually if not sooner. See this thread for example. I believe that Cardas can supply adapters on special order which leave pin 3 unconnected. I have no knowledge concerning the Purist adapters.
But in any event I would think it likely that you could accomplish proper gain matching just by using the gain control on the subs, without an adapter or adapter cable.
The other possible issues relate to sonics. I couldn’t find relevant information on the L1, as it is an older model, but to be able to be confident of good sonic results if RCA cables are connected to one destination (amp or sub) and XLR cables to the other the following needs to be determined:
1)Are the L1’s RCA and XLR outputs for each channel driven by separate output stages (i.e., are they independently "buffered"), or are they driven by the same output stage, as is the case in many designs which provide both kinds of outputs. In other words, is the center pin of the RCA connector for each channel simply connected directly to one of the two signal pins on the XLR connector for that channel?
2)What are the output impedances of the L1’s RCA and XLR outputs?
3)What are the input impedances of the subs and the power amps?
4)Approximately how long are the cables that connect the preamp to the power amps, and that connect the preamp to the subs?
If the answer to the first question is that the RCA and XLR outputs are driven by the same output stage, and the signal provided to the RCA connector is therefore the same signal that is provided to one of the two signal pins on the XLR connector, the answers to the other questions become particularly important. In that situation the loads presented to the preamp by the sub’s input impedance and also by the capacitance of the cables to the subs may have adverse sonic effects on the signals received by the power amps, especially if the output impedance of the preamp is high.
Aside from the issue of adapters (and perhaps some adapter cables) shorting pin 3 to ground, though, there’s no harm in trying any of this. And if your power amps can accept both XLR and RCA inputs, I would first determine which of those connections sounds best on the main speakers, before deciding which connection to use for the subs.
Regards,
-- Al