Hi Chris,
This is indeed a strange hobby. And one never knows when the most seemingly innocuous comment by a fellow audiophile will bring a breakthrough. Such is the case with your last description of listening preferences. I have a fair collection of classical music. Mostly stuff an audiophile was supposed to own. Some shaded dogs, Chesky reissue shaded dogs and other audiophile "records to die for". But never much enjoyed listening to them.
After your latest post I figured I'd throw on a shaded dog. First one was Fiedler and Boston Pops, "Fiddle Faddle." Not exactly classical but close enough. It was awful. Just ear bleeding bright. "Oh, no, am I back to the drawing board?" Then I thought, wait a minute this is a shaded dog, it should not sound like this. Let's play with VTA. Amazing! Lyra says start with arm parallel to record and adjust from there, but with the tapered ET arm wands parallel is difficult to eyeball.
Well, I started adjusting and voilà I had been almost 5 marks too post high on the VTA gauge. After proper adjustment all the excessive brightness and tizzyness disappeared and everything became warmer and smoother without loss of my coveted detail. Switched over to some of the records I rely on for set up an they were much improved also. I can't believe I was so far off on VTA.
This helps explain why I had such a hard time choosing between two and three springs.
Well excuse me while I go listen to some shaded dogs.
Thanks again,
Harry.
This is indeed a strange hobby. And one never knows when the most seemingly innocuous comment by a fellow audiophile will bring a breakthrough. Such is the case with your last description of listening preferences. I have a fair collection of classical music. Mostly stuff an audiophile was supposed to own. Some shaded dogs, Chesky reissue shaded dogs and other audiophile "records to die for". But never much enjoyed listening to them.
After your latest post I figured I'd throw on a shaded dog. First one was Fiedler and Boston Pops, "Fiddle Faddle." Not exactly classical but close enough. It was awful. Just ear bleeding bright. "Oh, no, am I back to the drawing board?" Then I thought, wait a minute this is a shaded dog, it should not sound like this. Let's play with VTA. Amazing! Lyra says start with arm parallel to record and adjust from there, but with the tapered ET arm wands parallel is difficult to eyeball.
Well, I started adjusting and voilà I had been almost 5 marks too post high on the VTA gauge. After proper adjustment all the excessive brightness and tizzyness disappeared and everything became warmer and smoother without loss of my coveted detail. Switched over to some of the records I rely on for set up an they were much improved also. I can't believe I was so far off on VTA.
This helps explain why I had such a hard time choosing between two and three springs.
Well excuse me while I go listen to some shaded dogs.
Thanks again,
Harry.