I once attended a panel discussion where the "loudness wars" came up and one of the panel members, a mastering engineer said that if you wanted to get mastering work, you had to compress dynamic range.
It seems like the "loudness wars" may be taking some pause, hopefully more and more music will be mastered in the future with better dynamic range...
"
"Dark Side of the Moon ... there is one VERY famous remaster that totally kills it dynamically and sound effects-wise"
is that the one Barry Diament did?
"
I believe you are referring to the remaster that Tim from EAR did as one of the first recordings used to market SACD. Personally, I never cared for it. Very boring to listen to. All the life was sucked out of it.
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