I once attended a panel discussion where the "loudness wars" came up and one of the panel members, a mastering engineer said that if you wanted to get mastering work, you had to compress dynamic range.
It seems like the "loudness wars" may be taking some pause, hopefully more and more music will be mastered in the future with better dynamic range...
It seems like the "loudness wars" may be taking some pause, hopefully more and more music will be mastered in the future with better dynamic range...