Before setting for Cart VTA.
There is 1) manifold air bearing height and 2) armwand height.
3) Then the Cart.
That’s how I have done it. When I was on that slippery slope with the turntables I must have mounted the tonearm; well you know I don’t know how many times on different tables. Different height platters and armboards. Sometimes no armboard, but separate armpods instead.
So what I do.
1) Air Bearing height
The inscribed line on the middle of the manifold is the guide for proper vertical height of the air bearing spindle. With the VTA range in the middle raise/lower post height to try to get as close to possible to having the record surface even with the inscribed line in the manifold.
2) Armwand height
If your armwand height does not allow you to mount your cart properly, raise/lower the armwand height. The stock joint (gooseneck) allows for lowering or raising the armwand to get parallel. I lost this adjustment with the Aluminum Gooseneck I got from NZ. The upgraded Aluminum Joint that Bruce sells now still retains this adjustment.
3) Cart
This should get you in the ball park with being parallel, and use the VTA to fine tune by ear. Now due to how complicated the vinyl set up is, (so many variables) , I always set up Digital first, get it working right, then I unleash the vinyl and see how close I got. This is what I have done in the past going by memory.
*************************
A couple updates.
I struck out today at the hobby shop on trying to get some kitty attracting foot long I Beams. 8^0
They looked really good on the internet link I posted but were way to thin and flimsy in person.
I also asked Bruce in the ideal situation how long should the I beam be. He told me shorter than a foot and as close as possible to the length of the armwand. This supports the teeter totter analogy I used earlier. I told him to consider doing a run on the longer I Beams as they are fairly inexpensive even with our Canadian dollar :^( and that there would probably be people interested when they found out.
There is 1) manifold air bearing height and 2) armwand height.
3) Then the Cart.
That’s how I have done it. When I was on that slippery slope with the turntables I must have mounted the tonearm; well you know I don’t know how many times on different tables. Different height platters and armboards. Sometimes no armboard, but separate armpods instead.
So what I do.
1) Air Bearing height
The inscribed line on the middle of the manifold is the guide for proper vertical height of the air bearing spindle. With the VTA range in the middle raise/lower post height to try to get as close to possible to having the record surface even with the inscribed line in the manifold.
2) Armwand height
If your armwand height does not allow you to mount your cart properly, raise/lower the armwand height. The stock joint (gooseneck) allows for lowering or raising the armwand to get parallel. I lost this adjustment with the Aluminum Gooseneck I got from NZ. The upgraded Aluminum Joint that Bruce sells now still retains this adjustment.
3) Cart
This should get you in the ball park with being parallel, and use the VTA to fine tune by ear. Now due to how complicated the vinyl set up is, (so many variables) , I always set up Digital first, get it working right, then I unleash the vinyl and see how close I got. This is what I have done in the past going by memory.
*************************
A couple updates.
I struck out today at the hobby shop on trying to get some kitty attracting foot long I Beams. 8^0
They looked really good on the internet link I posted but were way to thin and flimsy in person.
I also asked Bruce in the ideal situation how long should the I beam be. He told me shorter than a foot and as close as possible to the length of the armwand. This supports the teeter totter analogy I used earlier. I told him to consider doing a run on the longer I Beams as they are fairly inexpensive even with our Canadian dollar :^( and that there would probably be people interested when they found out.