Regarding arm boards and optimal materials, it's very interesting to watch the diverse experience in idler drive plinths. A mixture of natural and slightly lively wood layers, combined with *some* more deadened materials, like *a bit* of MDF and maybe one layer of stone seems to yield very good results. Pure MDF not, neither Corian, synthetic stones, marble or metal is desirable. I think a considerable part of this experience should be considered when thinking about armboards. Solid wood and *maybe* a bit of acryl or alu smewhere should work well too.
Personally I'd seek other materials than overdamped polymers like Sorbothane - it's sounds like s*** as a platter mat, and it's audible wherever one uses it. Even natural rubber feet on speakers (or under analogue decks) sound IME sluggish. It's easy to overdamp surfaces and overtighten connections (not only because of eg. making cracks in the ET structure :-). Both result in kind of a deadened, "negative feedback" kind of unnatural sound.
Solid maple? A friend uses solid oak to very good effect for the adanalog arm.
For ET arms maybe solid sBruce is the optimal wood...?
An eminent discovery.