If bi-amping is so great, why do some high end speakers not support it?
I’m sure a number of you have much more technical knowledge
than I. so I’m wondering: a lot of people stress the value of bi-amping. My
speakers (B&W CM9, and Monitor Audio PL100II) both offer the option. I use
it on the Monitors, and I think it helps.
But I’ve noticed many speakers upward of $5k, and some more than $50k (e.g., some of Magico) aren’t set up for it.
Am I missing something? Or is this just one of the issues on which there are very different opinions with no way to settle the disagreement?
Thanks folks…
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- 82 posts total
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I agree with the above comments. Vandersteen is the exception in that they are designed to be biwired. http://vandersteen.com/support/faqs (Scroll down the page) |
There are sonic benefits to be gained by getting rid of the speaker-level crossover in a loudspeaker, instead filtering the signal before the power amps, the amps then powering the drivers directly. That requires the speaker be designed to be used in such a fashion, with the line-level crossover duplicating the standard speaker-level one, with no compensation networks for the drivers. Bi-amping was recommended (by both Magnepan and their original distributor, ARC) for the pre-series .7 Magneplanars. The series .7 Maggies can not be bi-amped, for two reasons: The necessary speaker cable connectors are not present, and, more importantly, the series .7 crossovers are of series design, unlike those used in the pre-series .7 Maggies, which does not allow a simple "textbook" (1st, 2nd, 3rd, or 4th order filters) crossover. |
- 82 posts total