Someone would have to be living in a cave to suggest that real isolation and effective isolation - such as exemplified by the LIGO project - is not applicable to audio and to suggest that all you need is mechanical grounding. I’m afraid this is just a sad case of being almost entirely ignorant of what’s been going on in the industry outside the confines of one’s own narrow little developments. A perfect example of what I call Stove Piping, which is working in one’s own narrow little chimney, or stove pipe, and frequently arriving at some bizarre conclusion, not (rpt not) having the benefit of all the other developments that have been occuring outside that narrow chimney. It’s a crisis of Intelligence, information.
Real and effective vibration isolation has fortunately been available to audiophiles for more than 20 years, starting with Townshend’s Sesimic Sink, Bright Star air bladder and sand boxes and Vibraplane air bladder stands. My own single air spring Nimbus more than twenty years ago set the standard for number of degrees of motion and resonant frequency. The guys from Audio Point can save a little face as I’ve always maintained that good mechanical grounding techniques are important, too, especially in terms of grounding the component to the isolation device and grounding the iso device to the floors or support structure. The reason why isolation is used in the construction of tall buildings is to make the buildings less vulnerable to the effects of Sesimic vibration, especially earthquakes obviously, but also the effects of wind. I’m afraid a program of mechanical grounding as theaudiotweak suggests would turn out quite badly for tall structures, just as it would if applied across the board for audio.
"Let the vibrations run free." - the wild chant of anti isolation Stove Pipers.
Stove, piper, stove piper, stove piper, stove!
Yes, you are, yes you are!
Geoff Kait
machina dynamica
Real and effective vibration isolation has fortunately been available to audiophiles for more than 20 years, starting with Townshend’s Sesimic Sink, Bright Star air bladder and sand boxes and Vibraplane air bladder stands. My own single air spring Nimbus more than twenty years ago set the standard for number of degrees of motion and resonant frequency. The guys from Audio Point can save a little face as I’ve always maintained that good mechanical grounding techniques are important, too, especially in terms of grounding the component to the isolation device and grounding the iso device to the floors or support structure. The reason why isolation is used in the construction of tall buildings is to make the buildings less vulnerable to the effects of Sesimic vibration, especially earthquakes obviously, but also the effects of wind. I’m afraid a program of mechanical grounding as theaudiotweak suggests would turn out quite badly for tall structures, just as it would if applied across the board for audio.
"Let the vibrations run free." - the wild chant of anti isolation Stove Pipers.
Stove, piper, stove piper, stove piper, stove!
Yes, you are, yes you are!
Geoff Kait
machina dynamica