Ohm Speakers, thoughts?

Lngbruno:

I think, even built by hand, these speakers wouldn't be as expensive as was stated above.

Actually, I was being facetious. (just thinking of those 60" cones!) The real problem is recreating what has already been done. It's one thing to modify an old Model F; it's another one to build it from scratch. Just a crude guess would be (per pair):

Materials - $2,000.00 - $3,000.00
Labor - $2,500.00 - $3,000.00
Outsourcing (for things that you could not afford to do as an individual) - $2,000.00 - $3,000.00
Testing and breaking in - $500.00
Things not thought of - $1,000.00

Total cost - $8,000.00 - $10,500.00

Plus the cost of getting a new patent for any new improvements. $????.??

Am I anywhere close to the mark Sean?

What is a pure Walsh driver supposed to be? This is what I think is should be. Please correct me if what I say here is wrong.

A pure Walsh would emit sound 'only' by means of transmission line, and if the driver had suspension, that would introduce a sound that is not transmission line sound, but that of a conventional speaker. So the sound being emitted from a Walsh with suspension would not be pure transmission line sound, but rather a mix of the two.

A Walsh driver generates waves down the cone material, whatever that material my be. And from what i understand, this can be done one of two ways.

One way is to generate waves by bending the cone material itself and the waves are moving at supersonic speeds and different wave frequencies will have somewhat different supersonic speeds. From what i have read, this is how the DDD works. This method requires a very thin and ridged material.

The second way, is to generate a compression wave, in which the waves are not on the surface, because there is no bending involved, the cone material itself is being compressed, (not bent). Compression waves are also super sonic.

In ether of these methods, the proper angle of the cone will depend on the speed of the wave on/in the material being used. The greater the speed, the steeper the proper angle will be. The F's use metal and sound travels much faster in metal then in plastic, therefor the steeper angle is required if a metal matteral is used for cone material. Now, if the wrong angle is used, the waves generated in the air will not line up to form a single coherent sound source, and this will create time-smear or time-delay.

The use of suspension may or may not be necessary (i don't know), but if it must be used, i do not see how it could be pure transmission line.

This is what i understand as how a Walsh driver works. Am I wrong?

From what i understand, the DDD employed the first method and the F's the second method.

the cone material is some type of metal and apparantly they can deform permanetly with what i believe was described as ripples.

Line: I'm not going to go into the design of the German Physiks vs the Ohm A's and F's as i think that they are more similar than dis-similar. Other than that, i'm still trying to figure out what these "extra spl's" are that you're talking about??? Sean
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Sean, I wonder if a Walsh drive (which does have suspension) would also emitting sound by means of piston action like a conventional driver does, and if it indeed does, that would boost the SLP. You see, I don't know, but would like to know. But I don't see how it could not.

And a steep cone like the F has (which looks to be about 60 degrees or so), would be less efficient at this then a cone at 35 degrees would be.

An I making myself clear?