Peter, Paul and Mary were thrown together. So were the Monkees. That's not the problem--it's a matter of: is the music good? It doesn't matter how it originated. Again, there's good stuff out there, but it's not likely made by the people who get all the attention in the media.
Why is modern pop music today so terrible?
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But "good stuff" is getting harder to find and I often find it in unexpected places. Plus I have been reaching out beyond my sphere and even back to the early/mid 70s and checking out artists I was aware of but never had any of their recordings, like Shawn Phillips, Jeff Buckley, Duncan Browne. But I sometimes overhear what young teenagers are listening to, and it seems they want melody, but melody without anchor sounds lost. I played some Beatles on a recent road trip and the uninitiated teens in the back dug it, they thought it was new. Go figure. |
I hear the songs of a lot of young singer/songwriters, both in Portland/Vancouver bars & pubs and on TV (my sisters watch all the talent competition shows), and I have noticed a couple of things about most of them. The chord sequences are very minimal, just two chords alternated between, back and forth, over and over and over. Relatively few up-and-coming songwriters seem to be aware of classic Pop song construction, with chord "progressions"---a chord, followed by a second, then either a third, or back to the first with then a third played instead of the second again. And really good songwriters, on the second time through the progression, replace one of the chords in the first transversal with an alternate chord, to keep things fresh, interesting, and seemingly unpredictable. And it appears that the "bridge" or "middle eight" section of a song seems to be either out-of-fashion or unknown to young writers. They would do well to study the songs of at least Lennon & McCartney and Brian Wilson, for a start. Then there are the song "melodies". I put melodies in quotes because the line of notes used to sing the song's lyrics often barely qualify as an actual melody, being instead nothing more than the root note of the chord being played. Many, many songs have no "hook"---the sing-along quality of a true melody. This is nothing new---I immediately heard it in the "songs" on the first Blondie album. It's one thing to be a singer (if you want to call Debbie Harry that) or a musician, quite another to be a songwriter. The songwriting talent in The Beatles unfortunately made writing one's own material almost mandatory for a singer and group/band who desired respect from his/her/their peers. There are many groups/bands with a lot of singing and/or instrument-playing talent, but little songwriting talent (imo ;-). Another element missing in much of the contemporary music that is popular with the masses is harmony singing, which is a shame. Harmony (and it's sophisticated cousin, counterpoint) is wonderful! It is still very much evident in contemporary Bluegrass music, one reason I listen to that genre. It's quality songs is another. |
I suggest some of you find one or more good, streaming radio stations. We have several that broadcast here in Austin, most notably KUTX 98.9 FM http://kutx.org/ and KOOP 91.7 https://www.koop.org/listen-now Of course, listening material depends on when you tune in as there are often genre-specific programs. And much of the music is older, but there's a lot of good new stuff that you won't find on the pop stations. It's still pop music. |
I call almost all non-Classical music Pop, except perhaps Jazz. Pop because the music is song-centric, all else flowing from that fact. Jazz is as much about the musicians improvising as it is about the song itself, more than Rock, and even Blues. Country too is Pop, especially these days, contemporary Country that enjoys mass popularity and consumption barely recognizable as true Country. But there has always been, and continues to be, plenty of good, interesting songs and music being made that flies under the radar of commercial radio, television, and most print media. John Hiatt has been making great music for a long time, as have Loudon Wainwright III, Jim Lauderdale, Buddy Miller, Rodney Crowell, Emmylou Harris, Iris Dement, Patty Loveless, Gillian Welch, Danny Gatton, the two songwriters from Uncle Tupelo, NRBQ, Los Lobos, Nick Lowe, and hundreds of others. And that’s not even mentioning the younger, newer quality artists and entertainers. The ability of singers and bands to record cheaply and self-release their music has ended the stranglehold the big record companies for decades held (since the end of WWII, at least) on the availability of recorded music. Free at last! You have to know where to look, but the good stuff is out there, and at less cost than ever before (except for those boutique-pressed 180g LP’s). |
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