Linn LP12......That good??


I have an Ariston RD80 (very good) and a Thorens TD 160, also very good.
How good are the Linn Lp12 tt's??
I am always looking for the best most impressive sound.
I will have to sell the Ariston/Thorens if i buy the Linn because i will not need 3 turntables!
The Ariston almost looks like the Linn by the way.
So how great are the Linn's and what is the best combination to buy?
Thanks!
x1884
whart, the price of a fully updated Linn LP12 is a little difficult to really nail down. The recently released 40th anniv issue with the whisky plinth came in at $40K! A limited edition model, this apparently sold out in days! Nonetheless, the Klimax model comes in at considerably less than that...appx. $20K with the Klimax case Radikal and Urika. ( Which IMO is not that much of an upgrade over the Akurate cased Radikal, but is priced considerably higher--and I would also skip the Urika phono stage).

I remember when I learned of the LP12. It was in the middle of 1974, and the table's retail price was $300! I had a Thorens TD-125 Mk.2 (with an SME 309 Series II Improved) at the time, and almost bought a Linn for myself.
daveyf, do you honestly think I would spend $20k on a turntable and not try to solve its problems? I spent 6 months with my dealer (a very experienced and highly regarded Linn technician) working on it. There was nothing wrong with the Radikal. The problem, as it always has been, is the Linn suspension, which is inherently unstable. Speed stability from any Linn deck is audibly inferior to most others, because the platter is constantly trying to balance itself on top of three compressed springs, while simultaneously resisting the sideways force of the belt. It doesn't matter how good the power supply is because the turntable design itself is fundamentally flawed, and this is audible.

I get that you like your LP12. But that does not mean that people who cannot accepts its undisputed shortcomings are deaf or fundamentally incompetent.
rossb, you think the platter is constantly trying to balance itself on top of three springs, while simultaneously resisting the sideways force of the belt???? Where does this come from???
How on earth do you think a suspended chassis turntable typically works...I guess you don’t believe in suspended chassis designs. To say that the speed stability with the Radikal is poor is just more ’bs’ IMHO.
Kuzma has great speed stability....due to what?? Frank Kuzma believes in a multi layer chassis hoping to do away with outside interference...question is does this really work better than a spring suspension..You tell me?
If you had a problem with speed stability with your LP12, it was simply because you either had it on a non-level surface, or you had no idea as to how to set it up, or both! Luckily with the Kuzma, it’s pretty much plonk it down anywhere and walk away, unfortunately with the LP12 you cannot get away wth that....as you found out!