Our amps are really not spinoffs of anything. And they are tube. So I don't agree we're at the end of the line by any means...
But to make it more interesting, we've been working on a class D amp of our own for which we're also working on a patent. Not going to reveal too much, but we solved one of the major sources of distortion in class D amps. And we have proof of concept.
Now if we can do that on no budget and without any prior *recognized* expertise in the field of endeavor (people tend to think that just because we only do tubes that we can't know solid state as well, as if solid state is not taught at the University of Tubes or something...), what does that tell you? That perhaps there is still more to be done?
One area that is a problem for all amplifier designs is that most are designed to have specs that look good on paper and are not really designed to also sound good. Now this is a simple engineering problem (understanding the rules of human hearing and designing to those standards rather than the existing set of arbitrary rules); the bigger problem is tradition- the tradition of how we say what are good measurements and what are not is at the heart of the issue. How do you get the industry to move off of standards set in place 60 years ago??
Until we fix *that* problem, progress will only be had by the outliers who are willing to buck the tradition and pay the price. And they are out there.
Some years back I had some troubles when some people tried to steal my company. I remember getting a call from David Berning, who simply called to offer moral support; he told me (paraphrasing) that 'the industry needs people like you that bring diversity to the field'. I really appreciated hearing that from him and who better to say it as he is exactly one of those individuals: a brilliant designer and no-one makes amps like he does either!
There are brilliant designers in this field and there are those that recognize that if their amp is simply competent, someone will buy it even if it is a rehashed 1950s circuit. I don't see that progress has slowed down at all- if that is what Nelson (whom I see as one of the world's top designers) is saying then I disagree! I do think that we see a lot of derivative circuits but we're always going to see copycats.
But to make it more interesting, we've been working on a class D amp of our own for which we're also working on a patent. Not going to reveal too much, but we solved one of the major sources of distortion in class D amps. And we have proof of concept.
Now if we can do that on no budget and without any prior *recognized* expertise in the field of endeavor (people tend to think that just because we only do tubes that we can't know solid state as well, as if solid state is not taught at the University of Tubes or something...), what does that tell you? That perhaps there is still more to be done?
One area that is a problem for all amplifier designs is that most are designed to have specs that look good on paper and are not really designed to also sound good. Now this is a simple engineering problem (understanding the rules of human hearing and designing to those standards rather than the existing set of arbitrary rules); the bigger problem is tradition- the tradition of how we say what are good measurements and what are not is at the heart of the issue. How do you get the industry to move off of standards set in place 60 years ago??
Until we fix *that* problem, progress will only be had by the outliers who are willing to buck the tradition and pay the price. And they are out there.
Some years back I had some troubles when some people tried to steal my company. I remember getting a call from David Berning, who simply called to offer moral support; he told me (paraphrasing) that 'the industry needs people like you that bring diversity to the field'. I really appreciated hearing that from him and who better to say it as he is exactly one of those individuals: a brilliant designer and no-one makes amps like he does either!
There are brilliant designers in this field and there are those that recognize that if their amp is simply competent, someone will buy it even if it is a rehashed 1950s circuit. I don't see that progress has slowed down at all- if that is what Nelson (whom I see as one of the world's top designers) is saying then I disagree! I do think that we see a lot of derivative circuits but we're always going to see copycats.