Actually you just pointed out something that I'm sorry I was not more clear about and it might cause confusion. You are describing speed as in vertical (like slew rate) how fast can it switch between power supply rails.
Velocity is not measured vertically - it is speed as seen along the horizontal axis (time domain).
When you drop a pebble into a pond - the rings flowing away do so at a rate that shows expansion. That is the velocity. The height of the expanding waves (intensity) would be in the vertical axis.
This is why I said that the electrical switching (slew) speed is very fast. But the time measurement I'm talking about would be a race from the input to the output.
A drummer hitting a rim shot can cause a near explosion of energy in amplitude (vertical) but it still flows to the audience members at one (horizontal) speed. No matter how large the transit it still arrives at the back of the hall by traveling at the speed of sound (approx 750 mph).
This horizontal rate seen in the amplifier MUST stay fixed at 750 mph for you to think it was traveling through air.
Any non-linear event happening along the vertical axis causes the speed of horizontal path to vary resulting in an acceleration or de-acceleration of the delivery speed. Like wow and flutter in a tape machine.
It is microscopic Doppler and causes the image to go out of focus.
My auto-focus circuitry can produce a countermeasure along the time domain (a time warp) of extremely tiny amounts. As small as one thousandth of a degree of phase shift. These amounts are so small it has to use red shift and blue shift.
The velocity detector itself can pick up less than a nano volt discrepancy in a line level signal. The gain of the detector is massive. This much pressure is used to lock the red and blue shift generators in a dead battle for no motion or movement (reference point). If the music signal begins to drift ahead of the reference (in phase) by any amount (1/1000 of a degree) it is stopped in real time by the appropriate red or blue shift from becoming a harmonic.
It literally cannot distort.
It matches the flow rate and stability of air. The amplifier treats the music signal as an actual wave. It therefore maintains the speed of sound (Mach One) as the exit speed.
The amplifier becomes "invisible" and acts like a hole in the wall.
In fact that is the sensation. Listening through a portal passing the air disturbance pattern of the original venue (in the past) through the portal and into the present without missing a beat and with no distortion.
An actual miracle.
Your brain instantly accepts the experience as live because it recognizes the accuracy of the delivery speed. In the meantime a complete totally stable image of the original event is "phase locked" in front of you.
Your brain can easily pick out a single instrument in the orchestra and filter out the rest with ease. This only happens with live music because the locations are so stable your brain can apply a vector based filter to block anything it is not "paying attention" to.
It is the same thing as being there.
This took me 30 years to figure out.
Roger
Velocity is not measured vertically - it is speed as seen along the horizontal axis (time domain).
When you drop a pebble into a pond - the rings flowing away do so at a rate that shows expansion. That is the velocity. The height of the expanding waves (intensity) would be in the vertical axis.
This is why I said that the electrical switching (slew) speed is very fast. But the time measurement I'm talking about would be a race from the input to the output.
A drummer hitting a rim shot can cause a near explosion of energy in amplitude (vertical) but it still flows to the audience members at one (horizontal) speed. No matter how large the transit it still arrives at the back of the hall by traveling at the speed of sound (approx 750 mph).
This horizontal rate seen in the amplifier MUST stay fixed at 750 mph for you to think it was traveling through air.
Any non-linear event happening along the vertical axis causes the speed of horizontal path to vary resulting in an acceleration or de-acceleration of the delivery speed. Like wow and flutter in a tape machine.
It is microscopic Doppler and causes the image to go out of focus.
My auto-focus circuitry can produce a countermeasure along the time domain (a time warp) of extremely tiny amounts. As small as one thousandth of a degree of phase shift. These amounts are so small it has to use red shift and blue shift.
The velocity detector itself can pick up less than a nano volt discrepancy in a line level signal. The gain of the detector is massive. This much pressure is used to lock the red and blue shift generators in a dead battle for no motion or movement (reference point). If the music signal begins to drift ahead of the reference (in phase) by any amount (1/1000 of a degree) it is stopped in real time by the appropriate red or blue shift from becoming a harmonic.
It literally cannot distort.
It matches the flow rate and stability of air. The amplifier treats the music signal as an actual wave. It therefore maintains the speed of sound (Mach One) as the exit speed.
The amplifier becomes "invisible" and acts like a hole in the wall.
In fact that is the sensation. Listening through a portal passing the air disturbance pattern of the original venue (in the past) through the portal and into the present without missing a beat and with no distortion.
An actual miracle.
Your brain instantly accepts the experience as live because it recognizes the accuracy of the delivery speed. In the meantime a complete totally stable image of the original event is "phase locked" in front of you.
Your brain can easily pick out a single instrument in the orchestra and filter out the rest with ease. This only happens with live music because the locations are so stable your brain can apply a vector based filter to block anything it is not "paying attention" to.
It is the same thing as being there.
This took me 30 years to figure out.
Roger