Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Mitch2 thanks. The Aqua La Scala is exceptionally musical with big images and a warm rich punchy sound.

The Mk 2 Optilogic is supposed to extend the treble detail and increase the openess and sound staging while still retaining the overall superb quality of the La Scala. 

We are selling our Lascala to move to a Formula, so if you know of anyone looking for a great dac driven by a little old audiophile to listen to Gregorian chants on Sundays let me know.

Dave owner
Audio Doctor NJ
Thanks Mitch2, great stuff right there. And thanks Dave, for always adding just the correct amount of dealer input and offer without overdoing it! It's great having enthusiasts, dealers and manufacturers all here to add and help this thread to progress and grow. 
Update time!

Lumin S1 and Melco N1ZH/2 servers compared to Aurender N10. The sneak peak at the end reads that the N10 is still the champ.

Heres the skinny:

Lumin S1 - sexy, heavy, built like a fine Swiss Watch! Separate dedicated LPS built equally well. I didn’t like the extended shroud over the back plugs; but if it was living long term with me, and rarely accessed, it wouldn’t be an issue. If it’s sitting out or in a top shelf of a rack, it’s a nice touch aesthetically; otherwise it’s sort of useless. Sound wise? It’s punchy, lively and energetic. The bass is deep but lacks coherence and the midrange and treble lacked layered detail and that proper sense of instrument texture. It was listenable and not unpleasant, but didn’t convey a listening experience that conveyed me into the recording studio or concert hall. Although not Hi-Fi, it was not conducive to being lost in the music the way that other servers I have heard were. I see a tube system with a warmer tonal signature mellowing it’s flavor and making it more palatable to long term listening and a permanent home. I sold my S1. The N10 did everything better, top to bottom. Inside and out. From depth and width of soundstage, leading and trailing edges, dynamic presence, harmonic structure, layering, etc. Just better, much better. That all said, I like the Lumin software and Tidal search features better then the Aurender software. It worked. Period. Every time I turned it on it just worked. No quirks. No issues. Like the Aurender. Rock solid stable. The only 2 so far that are rock solid stable.

Melco N1ZH/2 - Not as well built as the S1 or the Aurender; think Seiko vs Vacherone Constantine or Piaget. No native software app (yet), no Roon compatibility, just upnp compatible. I used the Arcam control software App as others couldn’t find the server and DAC and make them work together. Quirky. Once I got everything to sync I was afraid to change anything. Sound wise it’s simple to sum up (and I give my friend Merrill of Merrill Audio the credit for the summary) - it doesn’t do anything wrong. It’s not offensive. It’s presentation is proper, staging is enjoyable and overall sense of music and aire is correct; it’s just missing information. It simply doesn’t extract it all; or my system is SO resolving I can hear it more easily. It’s not a noise floor thing (or maybe it is). In El Tren Del Quinto, there is a hollow echo clearly evident in the room on the N10 that gives the room presence and realism; it’s not sound really, it’s the hollow echo of an open church when no sound is happening. The N10 captures this. The Melco misses it. It’s a terrific product for its cost, and it’s doesn’t need to apologize for all the things it does right. But i don’t think it knows what it doesn’t do; because it doesn’t hear what it’s missing. As a required caveat, I have to say that the Melco offers a feature that will eventually be offered on every server- a direct Ethernet out specifically designed to plug directly into an Ethernet input DAC without running through a switch. I would imagine this would be its best output, and is probably the best digital path from server to DAC other then I2S. I don’t have a DAC with an Ethernet out. I’d love to compare the USB out to that dedicated Ethernet output. THAT would be a great comparison and very helpful for everyone here.

That is all currrntly. So the N10 is still here.

Next up, I believe, is the Memory Player, and the Baetis if I can find time to get Dave over here with it. The mighty Boulder will be coming after RMAF!! Can’t wait for that!!!

Take care all.
Before final deceision between Adagio and Pavane level 1 I put it directly to my Manley Shrimp preamp. And finally Adagio has less body and impact tham pavane level. So Manley Shrimp giving some tube character doesn't affect the initial impact and body. If it is here the Shrimp - will give, if there is no, shrimp will not give that.  Audia Flight 100 is fully transparent - it provides what you give. 

Finally pavan level 1 in more engaging for me.. its more musical despite doesnt give a minute details and leayer as adagio. But gives more full mids and impact.

I Will stay with Pavane despite i liked Adagio for its technical excelence and molecular details.  

Mitch2, can you give some more information about your pre. Some link, price range? is it possible to buy?