lewm
You seem to enjoy engaging in hair-splitting "thought experiments." You’ll have to accept that such exercises as imagining that I’m a phono stylus don’t interest me.
Two things you either don’t understand, or don’t want to understand:
1. The thickness of an LP has a trivial effect on VTF. Unless you’re playing discs that are an inch thick, the variation in static VTF between the thinnest Dynagroove LP and the thickest MoFi (or whatever) remaster is trivial. And yes, I’ve confirmed this with an accurate digital scale.
2.) Dynamic VTF - which is influenced by such factors as record warp - is nowhere near the absurd plus-or-minus 50 percent range you’ve claimed, provided that the pickup arm and phono cartridge are properly matched and calibrated. In addition, the use of a dynamically balanced pickup arm will greatly reduced the degree of VTF deviation and, as I’ve previously explained, this can easily be confirmed by observing the phono cartridge’s cantilever deflection as it navigates a warp.
Further, to be clear, the actual sonic benefit of using dynamic balance in a pickup arm is hotly debated, with many arguing that a statically balanced arm delivers better performance. Without taking a side on the debate, it’s clear that the enduring debate itself suggests that the consequences of a cartridge’s varying VTF as it navigates an LP is nowhere near as critical as you would seem to suggest - again, provided the system has been properly matched and calibrated from the outset.
Some users of dynamically balanced pickup arms such as the SME V apply VTF by using equal amounts of static and dynamic force. You might want to try it sometime, if that’s an option for you.
You don’t understand. And you don’t want to understand. So why bother? ... Or simply do the experiment I suggested: Measure or set VTF with the tonearm parallel to the surface of an LP. Then place a couple of spacers under your digital scale ... measure VTF again ... Don’t come back at me until you’ve done this ...Pardon me, but I’m not obligated to complete your homework assignment as a prerequisite to posting here. I’m sorry if that troubles you.
You seem to enjoy engaging in hair-splitting "thought experiments." You’ll have to accept that such exercises as imagining that I’m a phono stylus don’t interest me.
Two things you either don’t understand, or don’t want to understand:
1. The thickness of an LP has a trivial effect on VTF. Unless you’re playing discs that are an inch thick, the variation in static VTF between the thinnest Dynagroove LP and the thickest MoFi (or whatever) remaster is trivial. And yes, I’ve confirmed this with an accurate digital scale.
2.) Dynamic VTF - which is influenced by such factors as record warp - is nowhere near the absurd plus-or-minus 50 percent range you’ve claimed, provided that the pickup arm and phono cartridge are properly matched and calibrated. In addition, the use of a dynamically balanced pickup arm will greatly reduced the degree of VTF deviation and, as I’ve previously explained, this can easily be confirmed by observing the phono cartridge’s cantilever deflection as it navigates a warp.
Further, to be clear, the actual sonic benefit of using dynamic balance in a pickup arm is hotly debated, with many arguing that a statically balanced arm delivers better performance. Without taking a side on the debate, it’s clear that the enduring debate itself suggests that the consequences of a cartridge’s varying VTF as it navigates an LP is nowhere near as critical as you would seem to suggest - again, provided the system has been properly matched and calibrated from the outset.
Some users of dynamically balanced pickup arms such as the SME V apply VTF by using equal amounts of static and dynamic force. You might want to try it sometime, if that’s an option for you.