Frank,
So when are we going to see the "secret tweak"?
Allan
So when are we going to see the "secret tweak"?
Allan
The new Synergistic Research BLUE fuses ....
I've found tweaks to be, well, tweaky. Inconsistent. I probably would be looking for another preamp right now had the Synergistic fuse and the Sain power cord not been so effective. But I did try aftermarket fuses in Ayre amps, when I had them, with little change in sound. I tried a Sain power cord on the D'Agostino. Nope. A little too lean. I went back to the stock cord. So, my experience with tweaks is that what might work well in one component or system might not be beneficial in another. Has anyone found a tweak that is universally beneficial, fuse or otherwise? |
Agree with you tools re: the amp being the least benefited by boutique fuses. My theory is that the current is less constrained in an amp that uses, say, an 8 amp fuse than source and preamp which typically draw 1 to 3 amps max so the latter benefits more from whatever it is that these fuses do to the AC signal. Kinda like the magnitude of sound character differences often found between top phono sections vs top preamps due to the minute signal involved in the former.Only a theory and no I don’t have a clue how to measure it. I also find it easy to believe that some find other brands of fuses to better suit their component, system, preferences. My experience is that while the SR products in general can approach sonic magic, they share a tonal lean-ness in the mids that can exacerbate the same tendency in a system. If the system has an over-wrought midrange warmth or tubbiness in the mid-to-lower midrange, the SR stuff is helpful to balance it out. I don’t see the SR Black or Blue fuses doing a lean/bright system any favors musically compared to say HiFi Tuning, Audio Horizons, Beeswax or other proven audio-grade fuses. I truly wish that there was more discussion on the contrast of sound character between brands instead of the intentionally unwinnable and emotional mass media-style arguments regarding their efficacy. The next big craze should be mixing and matching... Dave |
a2501 .... The secret tweak is ready to go. An instructional DVD will be coming with it. The DVD is under development. Believe me, the wait will be worth it. Dave ... The SR level III power cords were a revelation for me. They replaced some very fine PC’ s custom built by Dave Magnan. If you’re familiar with Dave’s work, you know they were good. On the synergy thing ... I have a combination of SR’s PC’s and Von Gaylord’s "Return of the Legend" IC’s and Speaker cables. http://vongaylordaudio.com/beta/cabling/ This combination, plus the new Blue fuses allow me to hear exactly what you’re describing on brass instruments. The brass on the big orchestral stuff sounds "burnished." And that’s what I hear while attending live concerts. But its not just the brass that sounds right. All instruments have a natural and relaxed character about them. Just as I hear live. I can crank the volume up and there’s no "cringe" factor. Low, low distortion I would guess. Frank |
Frank, I do remember the Magnan IV ICs. Stereophile A rated for many years back when that actually meant something :) I am slowly but surely moving on past my SR active Tesla ICs and speaker cables (recently replaced my 7 year old Tesla Precision Reference speaker cables with Cerious Graphene Extremes and am very pleased - thanks ozzy and wig), but have yet to hear better power cords than the SRs in my system. Even the older X2 and Tesla SE active power cords are quite good and the Element CTS Digital power cable is superb, all improved significantly by Michael Spallone’s MPC upgrades. From what I have read and heard from owner friends, the Atmosphere Level 3 cord you have is among the very best two or three out there, adding a dose of refinement and musicality never offered by SR’s previous power cords, good as they are IMO. Hoping to get the Atmosphere Level 3 as the feeder AC cord when I upgrade my Powercell 10 UEF/FEQ to the 12 UEF... Dave |