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How could 100 Watt class a has more head room than a 300 Watt amp Class AB

Put aside which brand or make.
I put two amps into a test, both highend amp came from the same manufacturer.
Both double down the power with half of the impedance load, and THD is about the same.
Regardless of the size and cost difference, from a pure science perspective.
300 watt in theory should provide more headroom and sound ease when it reaches 100db, but the reverse is the true, the class A 100 watt seems to provide more headroom.
I have tried to use another set of speakers which is much easier to drive and it reaches the same conclusion.
Can someone explain why?
Quality or quantity of watt, how do we determined?
samnetw
georgehifi's avatar
georgehifi
10,312 posts
 

Take this into account, at normal moderate listen levels, a pair of Mark Levinson ML2 (BJT) monoblocks are only 25w @ 8ohms, but they will out perform things like a Perreaux 3150 300w @ 8ohm (Mosfet) into hard to drive speakers, because the ML can deliver more current into that harder load, where the Perraux will start to compress.

Cheers George
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mountainsong's avatar
mountainsong
422 posts
 
Mastersound PF 100 Monos. 110 class A SET. 
Quite an experience. Take a control over the speakers unseen for me before.  The only amplification I can confirm that kef reference are musical. 
Simply amazing 
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soundscience
16 posts
 
Gentlemen,

Unless you are using a sound level meter to determine the actual sound pressure level what you are probably experiencing is the following phenomena which is that we think something is playing louder when it starts to distort and don't think it is too loud when it is not distorted.

Under circumstances of no instrumentation to aid your perception the 100 watt amp sounds louder because it is distorting sooner, the 300 watt amp sounds less loud because it can play louder with out distortion.

Your brain and ears are deceiving you..


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